The Wire - The Complete First Season | 
| Director: Clark Johnson
Actors: Dominic West, Sonja Sohn, Jr. Larry Gilliard, Wendell Pierce, Idris Elba
Studio: HBO Home Video
List Price: $59.98
Buy New: $32.92
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Rating:  196 reviews
Sales Rank: 368
Format: Ac-3, Closed-captioned, Color, Dolby, Dubbed, Dvd-video, Subtitled, Ntsc
Languages: English (Original Language), Spanish (Original Language), English (Subtitled), French (Subtitled), Spanish (Subtitled), French (Dubbed)
Rating: NR (Not Rated)
Region: 1
Aspect Ratio: 1.33:1
Number Of Items: 5
Running Time: 775 Minutes
Shipping Weight (lbs): 0.9
Dimensions (in): 7.6 x 5.7 x 1.3
MPN: 98873
ISBN: 0783127928
UPC: 026359887321
EAN: 9780783127927
ASIN: B0002ERXC2
Theatrical Release Date: June 2, 2002
Release Date: October 12, 2004
Availability: Usually ships in 1-2 business days
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Shipping: International shipping available
Condition: NEW AND SEALED!!!!!!!!FAST SHIPPING!!!!!!!!!!!!!!!
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| Editorial Reviews:
Amazon.com
After one episode of The Wire you'll be hooked. After three, you'll be astonished by the precision of its storytelling. After viewing all 13 episodes of the HBO series' remarkable first season, you'll be cheering a bona-fide American masterpiece. Series creator David Simon was a veteran crime reporter from The Baltimore Sun who cowrote the book that inspired TV's Homicide, and cowriter Ed Burns was a Baltimore cop, lending impeccable street-cred to an inner-city Baltimore saga (and companion piece to The Corner) that Simon aptly describes as "a visual novel" and "a treatise on institutions and individuals" as opposed to a conventional good-vs.-evil police procedural. Owing a creative debt to the novels of Richard Price (especially Clockers), the series opens as maverick Detective Jimmy McNulty (Dominic West, in a star-making role) is tapping into a vast network of drugs and death around southwest Baltimore's deteriorating housing projects. With a mandate to get results ASAP, a haphazard team is assembled to join McNulty's increasingly complex investigation, built upon countless hours of electronic surveillance. The show's split-perspective plotting is so richly layered, so breathtakingly authentic and based on finely drawn characters brought to life by a perfect ensemble cast, that it defies concise description. Simon, Burns, and their cowriters control every intricate aspect of the unfolding epic; directors are top-drawer (including Clark Johnson, helmer of The Shield's finest episodes), but they are servants to the story, resulting in a TV series like no other: unpredictable, complicated, and demanding the viewer's rapt attention, The Wire is "an angry show" (in Simon's words) that refuses to comfort with easy answers to deep-rooted societal problems. Moral gray zones proliferate in a universe where ruthless killers have a logical code, and where the cops are just as ambiguous as their targets. That ambiguity extends to the ending as well; season 1 leaves several issues unresolved, leaving you begging for the even more impressive developments that await in season 2. --Jeff Shannon
Product Description
From David Simon creator and co-writer of HBO's triple Emmy-winning mini-series The Corner this unvarnished highly realistic HBO series follows a single sprawling drug and murder investigation in Baltimore. Told from the point of view of both the police and their targets the series captures a universe of subterfuge and surveillance where easy distinctions between good and evil and crime and punishment are challenged at every turn.Running Time: 780 min.System Requirements:Running Time 780 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 026359887321 Manufacturer No: 98873
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| Customer Reviews: Read 191 more reviews...
DO NOT buy this set unless... October 15, 2004
A Fan (Chicago)
158 out of 164 found this review helpful
You are willing to invest 13 hours in a richly-textured, beautifully-cast and acted drama. Do not mistake this for a typical crime show. You can't just pop in the disc and expect entertainment without investing your full attention. This has the depth and detail of a well-written novel and I find myself watching each episode multiple times to absorb the nuance of the storytelling. I cannot praise this show enough. David Simon has amde a commitment to not dumbing-down his content, but it's a two-way street and you can't expect to catch little snippets of the show and understand what's going on. However, some of those little snippets are worth the price of admission themselves. Also fun to watch considering that two of the leads, Dominic West and Idris Elba are Brits, but they speak Bawlmer-style without a hitch. I have loved the Sopranos from the very first episode, but "The Wire" may well be the best television ever.
Even superlatives aren't enough October 27, 2006
Wheelchair Assassin (The Great Concavity)
103 out of 106 found this review helpful
Over the last two decades I've watched a great deal of television, maybe even more than the average for my generation, and out of all of it The Wire is doubtless the most challenging and important show I've ever seen, leaving even other classics like The Shield and The Sopranos in its dust, and this first season remains its defining document. All thirteen of these episdoes are filled with amazingly detailed and complex storytelling, sharp characterization, and endless insights into the nature of modern crime and punishment--and they're mighty exciting to watch, to boot. The whole season covers the participants in a single case, as an impromptu squad of cops is assembled to bring down the housing-project drug empire of Avon Barksdale and Stringer Bell, but the implications of the investigation, and the show's ambitions, stretch far beyond one tiny front in the interminable drug war. We watch the case, built almost entirely on electronic surveillance (hence the title) come together piece by piece from the ground up, with the emotional stakes and social relevance being ratcheted up consistently along the way, right up until a harrowing conclusion that takes up the last two episodes. Watching the Wire, one thing is certain: Law and Order this ain't; you'll be thinking about it a lot longer afterward.
Even if nothing else, season one of The Wire would be notable for its narrative structure, which represents a new twist of the serialized TV format-the visual novel, with everything connected, so an event that happens in one episode can be referenced seven or eight episodes later and the viewer had better know what's going on. The season is deliberately structured in a novelistic format, with individual episodes making up the chapters, so watching, say, the ninth episdoe of this season will get you nowhere except a state of abject confusion. Thanks to its narrative flow, the Wire is easily the most naturalistic show I've ever watched, as the progression of events from the season's beginning to its end never feels forced or contrived. This format demands a lot of the viewer, as it practically requires you to watch nonstop without blinking or looking away from the screen, but it proves so rewarding you'll probably want to anyway.
That having been said, I can actually understand why this show's viewership is so limited (and it is REALLY limited; check the numbers). For many, The Wire will probably be so lifelike and believable that it doesn't even function as entertainment. In that sense, the show's greatest strength is also its (only) weakness, as there's nothing remotely sensationalistic or cliched about it, no reliance on overdirected action scenes, contrived cliffhanger endings, or improbable plot twists, which right away separates it from pretty much everything on network TV. For all involved, the season is filled with setbacks, frustrations, and long periods of waiting for something to happen, just like real life. The action quotient is also a lot lower than you'll find on a show like The Shield, and what violence there is is frequently disturbing, but it's always employed with a purpose, rather than just for the sake of mindless entertainment (make no mistake, I'm not opposed to a little mindless violence from time to time, but The Wire makes far more effective use of it). The world is made to look as and feel as real as possible, as though you're actually there-no dream sequences, no haunting visions, only one extremely brief flashback-an emphasis on realism that extends to the most seemingly insignificant bits of setting and dialogue. It all adds up to a show that's unfailingly convincing and authentic, but definitely not for those looking for an escape.
Hmmm, how else can I count the ways in which The Wire wipes the floor with its competition? Well, for another thing, the scope is just so much wider than any other crime show's, going far beyond even The Shield (a great show, but still an also-ran in comparison to The Wire) in capturing the workings of an American city in the early 21st century. David Simon himself has said the show's principal focus is on how institutions affect (and are affected by) individuals, and The Wire casts a decidely unflinching light on the functions and dysfunctions of the groups it examines. Anyone who's part of an institution-in this case a police force, a court system or a large-scale drug organization-has to compromise his individuality to a certain extent, and the show perfectly captures the conflicts that come with the tough decisions the real world requires of its characters. The only truly independent character on the show is Omar Little, the freelance street operator who makes his living robbing drug dealers, and he has to make the tradeoff of constant threats on his life. The world of The Wire is a difficult and unforgiving one, where having a conscience can get you killed while someone infinitely more vicious walks, and where conscientious cops can lose out to those who know how to play the game.
In yet another break with convention, there's no Tony Soprano/Vic Mackey/Greg House-style main character here around whom everything is required to revolve, at least to some extent-The Wire is about the story, and while the characters are hardly interchangeable or inconsequential, the emphasis is on fitting them all into the whole universe the show inhabits. That said, everyone depicted in this season, from the junkies and street dealers to high-ranking cops and politicians inhabiting halls of power, is played brilliantly. Although there isn't really a main character per se, Dominic West is sort of a first among equals as Jimmy McNulty, the self-righteous, insubordinate, irresponsible detective who turns the case into a personal crusade to prove his superior intelligence and frequently succeeds. For all his flaws, Jimmy's a man's man, the kind of guy you can't help but like, especially since he really is smarter than pretty much everyone else around him. After West, the biggest impression among the wire team is probably made by Lance Reddick as Cedric Daniels, the almost impossibly intense, glaring leader whose initially suspect dedication steadily grows over the course of the season. Backing them is a whole crew of memorable characters, from the odd-couple pairing of loutish white detective Herc (Domenick Lombardozzi) and his smooth black partner Carver (Seth Gilliam); to Jimmy's trash-talking, cigar-chomping partner Bunk Moreland (Wendell Pierce); to paternal, wisdom-dispensing ex-homicide detective Lester Freamon (Clarke Peters); and of course abrasive, venal Major Bill Rawls (John Doman), who manages to save his best vitriol for Jimmy.
Unlike the typical crime drama, though, The Wire's focus doesn't stop with the cops, providing a ground-up view of the inner workings of the Bell-Barksdale drug operation, from the lowest street dealers to the two leaders. The wire team's targets aren't just plot devices, nor are they slobbering, inhuman evildoers; rather; the Barksdale-Bell Crew are just as sharply drawn and fleshed out as anyone else, with an operation whose corporate structure and intricate business practices are just as pure a distillation of American capitalism as any legitimate company's. The incredible Idris Elba, especially, leaves an impression as Stringer, the smooth, highly intelligent, and icily calculating lieutenant who oversees Avon's operations, but he's hardly alone. Wood Harris is all intensity all the time as Avon, while Larry Gilliard Jr. as Avon's conscience-stricken nephew D'Angelo captures all of his character's emotional conflicts without any undue melodrama. As a whole, the experiences of the Bell-Barksdale crew provide a sad commentary on the lives of unwanted blacks in housing projects nationwide-many of them have the intelligence and motivation to be doing other things, but isolated from the mainstream of society there's nothing else for them to do. The game is all they have, whether they want to be involved or not.
So, yeah, that's pretty much it. The emergence of TV as a respectable medium (especially in comparison to the movies) over the past decade or so has been well documented, and The Wire is definitely one of the shows leading the charge. The show's subsequent seasons, while indisputably brilliant and still better than pretty much anything else out there, have watered down the show's formula just a little bit as they branch out in all sorts of directions, but no matter. This season stands alone as one of the decade's crowning visual achievements. Easily worth the time and money you'll invest in it, especially for how much time you'll spend thinking about it afterwards.
First came Oz, then the Corner, and now... September 29, 2004
JunkyardMessiah (Los Angeles, CA United States)
75 out of 79 found this review helpful
The Wire is HBO again hitting it straight out of the ball park. Just like Oz and the Corner (two of HBO's other critically acclaimed but under-appreciated dramas) the Wire makes your heart bleed for the "bad" guys, makes them and the people that chase them seem, at the end of the day, human-- flawed, fragile, evil, in need of redemption, and in some cases, better off with a bullet in the brain. This first season was great, and the second season managed to be even better.
The best thing about this show is that it turns every part of your brain ON. You can't watch it after you had a couple beers and are ready to doze off in front of the TV. You need to be awake, alert to follow the twists and all subtle character stuff. In a word: bliss. Thank you, thank you David Simon and crew!
The best show on television, now or ever, hands down. October 18, 2004
Jason P. Archer (Crofton, Maryland United States)
34 out of 34 found this review helpful
How can I title this review such? The writing is the first reason. You could have the same cast and general storyline with terrible or sub-par writing and have an instantly forgettable show. With the writing of the first season of The Wire, not to mention the second or third seasons, we are practically giddy as we experience these characters uttering these masterful words and performing their acts. We do not instantly forget but are left with impressions that will probably never leave us. Who will ever forget D'angelo's lecture to the young dealers about the man who came up with the chicken mcnugget? The second reason would have to be the realism. We get the feeling that while we know that this is fiction it COULD be real. The mean streets of Baltimore as interpreted by David Simon, et al. What differentiates this from other shows of its kind? A drug dealer is a person. A real person with problems, heart, and at times extreme intelligence. Take Stringer Bell, a drug kingpin who takes college economics classes to better his drug business. Also take D'angelo Barksdale , a man who doesn't like his underlings to treat the junkie customer with disrespect, as a dog.
In an article I read not too long ago about the third season of The Wire the show was described as a novel (each season) cut up into chapters (each episode). Don't think that you can start in the middle of the season; you might as well start in the middle of a novel. This series is a show for the thinking person. You must be willing to invest your time and mind. Don't expect it to be simple; do expect to enjoy the mental ride.
How can I truly put into words how great this series is? After you watch the first episode you will be hooked. If you are not hooked by the end of the first episode when D'angelo Barksdale is walking away from the murder scene of a man intimately related to him and you see the look on his face then this show isn't for you. If it is then keep watching and enjoy the unfolding of the story of the Barksdale crew and the special police detail trying to bring them down.
An Honoring of Life October 26, 2004
Robin Claassen (San Jose, CA USA)
29 out of 34 found this review helpful
"The Wire" has done something that has never been done before on television. It has taken a look at a conflict between different groups of people, and done so in a manner that brings about understanding, and feelings of compassion for all the characters involved. Rather than moralizing, and encouraging the viewers to root for one side over the other, "The Wire" encourages the viewer to take the wider view, and be disturbed by the tragedy of all the characters being involved in the conflict in the first place.
While the show very much causes one to feel compassion, and even love for its individual characters, the focus of the show is more upon the larger societal dynamics that create the situation all the characters find themselves within. The show explores the pathos of a corrupt political system, an utterly broken and dysfunctional police department, a drug organization that ultimately destroys its members' lives and everything they hold precious, and so many lost potentials and lives wasted to drugs. You get the feeling that all the characters are trapped in their life roles in "The Wire", and you're able to gain at least some vague understanding of what the forces are in our society that create those roles.
From the subject matter of the show, you might think that "The Wire" would be pessimistic and depressing to watch, but I feel that it is really uplifting and offers hope to us as a society. If the viewer can feel forgiveness and compassion for D'Angelo Barksdale, a man who has helped to cause a lot of suffering, then maybe they can begin to feel some degree of forgiveness and compassion for themselves, and those around them. "The Wire" makes the world a less scary place. It helps us to understand a lot of disturbing stuff in our society, and maybe even helps us to begin to understand what a solution to our problems might look like. "The Wire" looks at all of its characters as if through the eyes of a lover, and sees how they are beautiful; in doing so, shows us how we are beautiful. The show helps us to value ourselves, those around us, and the world we live in. It is truly a profound honoring of life.
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