Nikon D700 12.1MP Digital SLR Camera (Body Only) | 
| Brand: Nikon
List Price: $3,260.00
Buy New: $2,599.00
You Save: $661.00 (20%)
New (23) Used (1) from $2,799.92
Rating:  19 reviews
Sales Rank: 97
Media: Electronics
Monitor Size: 300
Includes Software: Yes
Display Size: 3
Maximum Resolution: 12100000
Shipping Weight (lbs): 2.2
Dimensions (in): 5.8 x 3 x 4.8
MPN: D700 Body
Model: D700 Body
UPC: 018208254446
EAN: 0018208254446
ASIN: B001BTCSI6
Availability: Usually ships in 1-2 business days
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| Features:
| • | 12.1-megapixel FX-format (23.9 x 36mm) CMOS sensor; body only | | • | 3.0-inch, 920,000-dot VGA color monitor; 170-degree wide-angle viewing and tempered-glass protection | | • | Fast, accurate 51-point AF system; 3D Focus Tracking and two Live View shooting modes | | • | Base ISO range from 200-6400 can be expanded to range from ISO 100 (Lo-1) to 25,600 (Hi-2); 0.12-second start-up speed | | • | Capture images to CF I/II cards; compliant high-speed UDMA CF cards that will enable recording speeds up to 35 megabytes/second |
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Product Description
12.1-megapixel effective recording * full-frame Nikon FX-format CMOS image sensor (23.9 x 36 mm) * Dynamic Integrated Dust Reduction System to keep image sensor clean * 3" high-resolution (307,000 pixel) LCD screen with brightness adjustment * 51-area autofocus with 15 cross-type sensors and 3D Focus Tracking for accurate, high-speed focusing * two live view modes for handheld or tripod-based shooting using the LCD screen * 14-bit A/D conversion for outstanding color tones and gradations * image size options in DX format (pixels): 2,784 x 1,848, 2,080 x 1,384, 1,392 x 920 * built-in i-TTL (intelligent, through-the-lens) flash * continuous high-speed shooting up to five frames per second (up to 8 frames per second with the optional MB-D10 multi-power battery pack) *
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| Customer Reviews: Read 14 more reviews...
 A review of the Nikon D700 by a Nikon D300 owner August 1, 2008
L. Go (QC MM RP)
177 out of 184 found this review helpful
I am making this review of the Nikon D700 from the perspective of someone who also owns a Nikon D300. To view the reviews on the D300, click here. Nikon D300 DX 12.3MP Digital SLR Camera (Body Only)
Without qualification, the Nikon D300 is a superb camera. So many superlatives have been used with the D300 that I will not repeat them here. All the superlatives used with the D300 applies equally well to the D700. I will add however that as good as the superlatives may have been with the D300, the D700 deserves a bit more.
Let me explain.
The Nikon D700 is equipped with a full frame FX sensor (36.0 x 23.9). This is the same sensor used by the Nikon D3. Nikon D3 12.1MP FX Digital SLR Camera (Body Only) The D300 on the other hand uses the APS-C sensor (23.6 x 15.8). Both the D700 and the D300 have about the same 12 megapixel rating (with the D300 actually slightly higher).
The D700 having a bigger sensor than the D300 but with about the same megapixel rating means that the size/pixel density of the D700 is much lower than the D300. The ratio is 1.4MP/cm2 vs 3.3MP/cm2 for the D700 and the D300 respectively. A lower ratio means lower noise and this ratio favors the D700. For the D700, this translates to lower noise in capturing the same image than when using using the D300.
The D700 lower noise level in turn translates to the D700 being able to operate at a higher ISO level than the D300. The D700 can operate as high as ISO 25,600 while the D300 can go up to ISO 6,400. It is of course quite rare to shoot at such high ISO as it will always be better to shot at a lower ISO rating. But if both the D700 and D300 were shooting at the same ISO, the D700 will have lower noise levels. Simply put, the higher ISO capability of the D700 versus the D300 indicates the higher level of performance of the D700's sensor vs the D300.
My actual use validates this theoretical advantage. I noticed that while the noise level of the D300 is very good at ISO 1600 and even 3200, the D700 consistently showed lower noise level than the D300 shooting at the same ISO setting and light condition. This is most noticeable when shooting at night with many bright lights in the periphery of the main subject.
In terms of color rendition, I have not noticed any significant differences between the D300 and the D700 in the limited time that I have been using the D700. It may be due to the fact that I have conducted my test at dusk and at night.
When using the D700, the full frame sensor means that one will not need to convert the focal length of the lens by a factor of 1.5x. So a 50mm lens will be a 50mm lens for the D700 rather than its 75mm equivalent when used with the D300.
While this may appear to be a disadvantage on the telephoto side, its gain on the wide angle side is considerable and can only be described as an eye opener. The D700 advantage in wide angle application does not just come from its wider perspective. Rather, it is how the D700 maximizes and makes full use of such excellent lens as the Nikon 14-24mm f/2.8 that makes buying the D700 such an eye opener.
The resulting images taken with the Nikon D700 and the Nikon 14-24mm are clearer, sharper and crisper compared to the D300 even when the focal length in the D700 is zoomed out to its equivalent in the the D300 (21mm in D700 and 14mm in D300).
Vignetting is practically undetectable even when the D700 is used with the 14-24mm glass fully open at its widest focal length (14mm, f/2.8). This is surprising considering that the D700 is now using the full lens instead of just its sweet spot in the center (which would have been to the advantage of the D300 due to its APS-C sensor).
It is not just the wide angle lens that benefited from the D700. Even the slight vignetting I noticed with my 85mm f/1.4 and the 50mm f/1.4 shot wide with the D300 at f/1.4 is no worse in the D700. I am very surprised at this rather unexpected results as I had expected the opposite.
As to the physical differences between the D700 and the D300, while these two models are roughly equal in size, the D700 is slightly heavier than the D300. This is not an issue for me at all.
What tilts the balance in favor of the D700 is its view finder which is significantly brighter and better than the D300. This difference is very noticeable when switching from the D700 to the D300 and vice versa.
This much improved viewfinder however is a mixed blessing. One disadvantage that the D700 has over the D300 is that the D700 viewfinder captures only 95% of the image while the D300 viewfinder captures 100% of the image shot. So the actual image captured is slightly bigger than what appears in the D700 viewfinder. But given the better image quality of the D700 viewfinder and the better quality of its pictures, I am willing to work with this disadvantage and simply compensate for it during actual use. But I hope that Nikon corrects this though in its next iteration of the D700.
The Nikon MB-D10 Battery Pack Nikon MB-D10 Multi Power Battery Pack for Nikon D300 & D700 Digital SLR Cameras from the D300 fits the D700 perfectly well. This is very convenient as I can opt for a lighter package when I do not need to shot at high speed. This is one advantage that the D700 has over the D3 where the battery pack is integrated with the camera. The D3 however is still faster than a D700 equipped with the MB-D10 which makes it a better unit for sports. Since I shoot mostly portrait, special events and landscape and seldom shoot sports, the D700 is perfect for my needs. The D700 lower price tag means that I can get the D700 with at least one of Nikon's professional lens.
Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Nikon 17-35mm f/2.8D ED-IF AF-S Zoom Nikkor Lens for Nikon Digital SLR Cameras
Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens
Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras
Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras
Nikon 50mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras
Ideally, the D700 should not be used with the DX lenses. This said, it is possible to use the DX lenses with the D700. The D700 makes the switch to DX lens automatically without need to fiddle with any control. Because the DX lens covers only a section of the D700 sensor, the maximum resolution of using a DX lens on the D700 is only 5.1 megapixel. This smaller coverage is automatically delineated by a box in the D700 viewfinder. In addition to the lower resolution, the extreme two ends of a zoom lens is not usable. Within these limitations, the D700 can use DX lens and produces very good pictures albeit on a smaller resolution / file size.
The D700/FX (1.0x factor) and the D300/DX (1.5x factor) effectively doubles my lens option. For those planning to own both the D300 and the D700, it would be wise to choose a glass that would be usable with both bodies.
In closing, I consider the D700 a good complement to my D300. Except for my Nikon 18-200mm DX lens (which I bought for my Nikon D200) Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S VR DX Zoom-Nikkor Lens, all my glasses and accessories for the D300 can be used with the D700 at its full resolution. I will use the D700 in those times when I need the best results shooting wide angle and/or at high ISO speed. In those times when I need the extra reach, the D300's 1.5x crop factor makes the best use of my telephoto lenses.
A Smaller D3 August 12, 2008
B. Fuller (United States)
57 out of 61 found this review helpful
This is an amazing camera. I am not going to go over the specs because you can read about them on just about any camera web site. What I am going to concentrate on is who should buy one and why.
First off, I've read about many folks lamenting having bought the D300 and now feel like the need to "upgrade" to a D700. These are two different cameras for two different purposes and as such don't compete against each other so much as complement each other. The D300 doesn't have the low noise capability (The D700 can get clean images at ISO1600 vice ISO400 for the D300) nor does it have the wide angle capabilities of the D700. The D700 doesn't have the 1.5x multiplier of the D300 so wide angle lenses are truly wide. Additionally, while you can use DX lenses on the D700, you will only be using 5 mp of your sensor.
Another comparison is between the D3 and D700. They both have the same sensor so the image and ISO abilities are the same. The D700 comes slower out of the box but with the Nikon EN-EL4a Rechargeable Li-Ion Battery for MB-D10 Battery Pack and Nikon D2 and D3 Digital SLR Cameras, Nikon MB-D10 Multi Power Battery Pack for Nikon D300 & D700 Digital SLR Cameras, Nikon BL-3 Battery Chamber Cover for Nikon EN-EL4 and EN-EL4a for the MB-D10, and Nikon MH-21 Quick Charger for Nikon EN-EL4 and EN-EL4a Rechargeable Li-Ion Batteries (~$500) you will be rocking with 8 fps and great battery life; just barely slower than the D3. Also, I have not found any technical data on the autofocus and processing chip but in my non-scientific side by side comparison the D700 seemed just as fast as the D3 while the D300 appeared noticeably slower. (This was shot with the 85mm 1.4D. This lens does not have Silent Wave Motor focus and therefore relies on the camera's focusing motor.) As I said this is not scientific but I am also guessing that Nikon saved on engineering costs by just transferring the guts of the D3 to the D700 and slowing it down (this is probably the reason the D700 gets such poor battery life (200-300 shots vice 1000 shots) in comparison to the D300).
So without further ado:
Buy the Nikon D700 12.1MP Digital SLR Camera (Body Only) if:
You need to shoot in no flash low light situations. With a 1.4 lens at 1600 ISO you would be amazed at the quality of the photos! If you are not doing close up work of people you can get great shots @ 6400 ISO. If you can stand a grain in B+W(a very cool effect by the way), then you can get good shots @ 25,600!
You want to shoot ultra wide. With no multiplication factor, you can shoot truly wide angle photos. The 14mm is 14mm not 21mm like on a DX camera. Also, although you can get the Nikon 12-24mm f/4G ED IF Autofocus DX Nikkor Zoom Lens which will be the equivalent of 18-36mm, it will still have the distortion of a 12-24mm lens. So compared to the FX D700 you would get 14 deg less width with more distortion.
You are willing to spend $4500 more on the lenses. The body is disposable, the lenses are what last. You could get away with a 50mm 1.4 and that would be a fine place to start and a great way to learn how to frame a picture. However, I would recommend the following 3 lenses and I would recommend getting them in the following order. 1) The Nikon 85mm f/1.4D AF Nikkor Lens for Nikon Digital SLR Cameras - $1000 (Super fast, incredibly shallow depth of field, and amazing construction. Get this lens and practice getting good with a fixed length lens! Get this lens over the 85mm 1.8 for the construction and 9 blade design. You will be blown away with how low the light can be and you can still get the shot! (Rumors have it that Nikon is about to replace this lens with a new improved version. I expect the new lens will be better but will likely cost 1.5 to 2x as much.) 2) The Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens for Nikon Digital SLR Cameras - $1700 This is the lens pros use to earn their living. (It has been 5 years since Nikon updated this lens so it is due for a replacement soon but again I am sure it will be more expensive and this lens rocks right now) 3. The Nikon 14-24mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens - ~$1600. Stupid fast, stupid wide, and stupid great. What more can you ask?
Buy the Nikon D300 DX 12.3MP Digital SLR Camera with 18-200mm f/3.5-5.6G ED-IF AF-S VR DX Nikkor Zoom Lens if:
You want an amazing all around lens. The Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S VR DX Zoom-Nikkor Lens (27-300mm equivalent) You really never need to take this lens off. You can shoot wide (27mm) and telephoto (300mm) Wow this lens does it all.
You want to shoot long. If you take a D300, the 70-200mm 2.8, and a 1.7x teleconverter you get a 178-510mm F4.8 for $3600!! Or add the 300mm 2.8 and you get a 765mm F4.8 for $6500 ($3000 cheaper and 5 lbs lighter than a 600mm F4 lens). Totally astounding.
You shoot in relatively decent light. Until I got the D700, I routinely shot great portrait shots at home, at night, and with poor lighting using the D300 and the 85mm 1.4 at 1/30s and ISO200-400.
You want to buy and take advantage of DX lenses. Really you only need 2 lenses with the D300. You will want the 18-200mm and the 12-24mm. That will cover everything you need for a grand total of $1500. I would still recommend the Nikon 85mm f/1.4D AF Nikkor Lens. A stupid fast 128mm 1.4 on the D300.
Buy the Nikon D3 12.1MP FX Digital SLR Camera (Body Only) if everything about the D700 fits your shooting requirements and:
You shoot more than 3000 photos per month. The D700's shutter is rated to 150,000 cycles while the D3 is 300,000. Nikon's generational replacement cycle for their flagship camera is 4 years. That means if you shoot ~3000 photos per month you will shoot ~150,000 shots in 4 years and it will be time to replace the camera anyway. If you shoot 10,000 shots per month you will have to replace the camera in 15 months. However, with the D3 you would not have to replace the camera until 30 months.
You earn your living shooting photographs. Memory cards rarely fail but do you want to lose thousands of dollars and your reputation by risking it. Get the D3 and set it to write the images to both cards. Yes, there are other techniques to minimize your exposure to this failure but none are as easy and reliable.
You don't want the option to remove the battery and vertical grip. With the D700 you can add the MB-D10 to make it 98% of the D3. However, if you don't want the weight or need the speed you can remove it and save the space and weight. This is useful for long hiking trips (However, I would recommend a D300 for this unless you were hand shooting in low light).
D700 from the amateur's perspective August 5, 2008
Sam Hershey (Chelsea, MA USA)
40 out of 50 found this review helpful
Well, I finally got my D700 and have had it for about a week now so I wanted to put up some initial impressions of the pros and cons from an experienced amateur's perspective (been taking photos for almost 15 years now, but I wouldn't consider myself in any way a professional).
From the pro side:
I am VERY pleased with the full-frame CCD. Before this camera, I had the D100 and was happy with it, but always was a bit annoyed that my Nikon lenses were converted by the different size of the CCD. Now that I'm back to 35mm, I feel like the SLR acts a lot more like my old N90s. My favorite lens, the 85mm 1.4 produces astoundingly beautiful shots with increadibly shallow depth of field. I'm in heaven.
On the whole, the features I've used so far have been quite impressive. At normal ISOs the quality is just outstanding. I don't think I've ever seen digital pictures with this level of detail period. This said, what really impressed me was the 6400 ISO. I've played around with a number of digital cameras over the years and I don't think I've ever seen a camera that can produce the kinds of low-light images that the D700 does. The noise is so unbeleavably low that I am just floored.
I've been using a 16gb Sandisk Extreme memory card and have been very impressed with the write-speed of the camera. On RAW quality imaged, I can get 800+ shots to the memory card and the transfer rate to the computer is excellent considering the size of the files. Shooting speed is also excellent. I do mostly portraits, but when I do candids I do find myself shooting multiple shots in succession and the D700 performs wonderfully. It does make me curious as to how much faster the D3 is, but I can't imagine it being that much faster.
Some minor gripes (I would discount 1/2 star for these if I could, but rather than rating the camera at a 4, I'm giving it a 5 because I am very happy with it).
1. The live-view is somewhat odd in the way that it works. I was hoping that the camera would lift the mirror and then basically become like an average point-and-shoot. It doesn't really work that way and frankly, makes me appreciate the view-finder all the more. The instructions to get the live-view to work are somewhat complex (it isn't just a switch, you also have to go into menus, make selections, and then depress the shutter button half-way each time you take a picture in order to activate the live-view every time). It is a nice option for when you can't look through the viewfinder easily, but definitely not for all-the-time-use.
2. Software compatibility has some quirks. It seems to me that my Cannon worked with XP and Photoshop right out of the box, whereas with this camera I had to go to Nikon's website and download Codecs in order to get my computer to recognize RAW images... also... why does Nikon insist on calling RAW images NEF files? Seems to add a layer of complexity that is just unecessary. Another odd thing is a note on Photoshop's (Adobe's) website which tries to let consumers know that Nikon and Adobe are "comitted to working together" but actually seems to have the opposite effect given the tinkering that is necessary in order to get NEF files recognized. That said, now that I've got it all set up properly, it works fine and I'm very happy.
Summary: Seems to pack all the bang of the D3, but at a nice savings. Definitely not cheap, but you get what you pay for and it is very nice to be putting my Nikon lenses to good use. Picture detail and quality is through the roof, impressive low-light sensitivity. Full-frame CCD is awesome. Camera feels great in the hand, solid construction, good menus, dials, buttons, etc. all feel great.
Best Digital SLR Under $5,000 August 12, 2008
Ryan G. Jesena (Los Angeles, CA)
15 out of 17 found this review helpful
My first DSLR was the Nikon D50, then I upgraded to the Nikon D80. When the D700 was announced, I was patiently waiting for the yet announced Canon 5D replacement and was waiting to join the Canon side. Then when I saw the specs of the D700, I was floored. But what about image quality??
I've had the camera for a week, and took 3,000 pics, and it is amazing. I paired it up with a 50mm f/1.4 and the results are magical. Colors are vibrant, lowlight is ridiculous good. All around an amazing camera. Light years ahead of the D80 and the 5D. I did a shoot where I was able to compare images between the 5D and the D700, and it's just not even close. Don't know what then next 5D will be like, but the D700 is a winner, and worth every single penny.
A dream come true for long-time film users! August 20, 2008
J. Gwen Ingram (Dexter, OR USA)
14 out of 17 found this review helpful
The Nikon D700 is exactly the digital SLR that I envisioned when I first heard that such an animal existed. After over a quarter-century of shooting film and gradually realizing the advantages digital holds for me through using a high-end point-and-shoot as an adjunct to my faithful old Nikon SLR film camera, I eagerly bought a D70s ... and was exceedingly frustrated and disappointed. My familiar old lenses responded differently (the 1.5 "multiplier effect") ... when they responded at all (a "non-CPU" lens could be mounted, but all camera exposure and metering functions were disabled, making the result disadvantageous even compared to a pre-AF film body and lens).
Not any more! Even though the D700 was primarily intended to be used with auto-focusing (AF) lenses, it also functions superbly with my non-CPU (manual focus) lenses, only losing the "shutter priority" and "program" modes (because, of course, the camera can't alter the aperture ... that's my job on any non-CPU lens) ... the D700 can even give me focusing feedback after I enter a manual lens's information into the D700's menu. I once more feel like I have good, quick control over the aspects of photography that create the character of my photographs. No more fumbling with lots of fingers over several sets of buttons to tell the camera the simplest things ... it's back to rotating the focus and aperture rings (or not, if I choose the AF lenses).
And the annoying "multiplier effect" is gone with the D700's full-frame ("FX") sensor. My 50mm lens -- my mainstay -- is now a true 50mm lens again (if you have to ask why that matters, the D700 isn't for you). I personally don't pursue wide-angle photography, but I definitely can see how those who do (and who haven't been able to afford a D3) will be doing cartwheels if they can get their hands on a D700.
The D700's viewfinder is also light years above my D70s, making everything from focusing to composition that much easier and more precise. The D700's whopping big LCD screen is also a big advantage. When in review mode, the display is large ... or, at my choice, the increased data option shrinks the thumbnail to a still-valuable size and places the data around the photo instead of over it like the D70s does.
I'm finding the grip very comfortable, and although the weight is hefty compared to any point-and-shoot, it is a well-balanced camera and that weight doesn't bother me. Being able to shoot in RAW mode is resulting in not only better end-result photos for me, but also (once I get the RAW files on my computer) much more accurate feedback on what I can improve about my technical choices ... and one of digital photography's most significant advantages is that faster feedback. Also of note for those who like working in RAW, unlike the D70, I now have the option to shoot ONLY in RAW mode, not just RAW + JPEG, and that saves valuable memory space.
My only negative comment so far is that Nikon's proprietary software (included with the D700) is necessary to download photos to one's computer. I'll adapt, but it just seems an unnecessary restriction.
Even though it's priced well under the other full frame Nikon, the D3, the D700 certainly does not come cheap. For me, it was the only affordable solution, and well worth every penny. If you spent years shooting film and count a bundle of old Nikon lenses among your close friends, the D700 is going to make you wonder if you'll ever stop grinning!
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