Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S VR DX Zoom-Nikkor Lens | 
| Brand: Nikon
List Price: $749.99
Buy New: $629.95
You Save: $120.04 (16%)
New (16) Used (6) Refurbished (2) from $530.00
Rating:  268 reviews
Media: Electronics
Autographed: No
Memorabilia: No
Fragile: No
Batteries Included: No
Optical Zoom: 11.1
Maximum Focal Length: 200
Minimum Focal Length: 18
Shipping Weight (lbs): 1.5
Dimensions (in): 4 x 6 x 9
Warranty: 1 Year Warranty + 4 Years Extended Service Coverage - 5 Years of Protection Included directly from Nikon USA
MPN: 2159
Model: 2159
UPC: 182080215984
EAN: 0182080215984
ASIN: B000BY52NU
Availability: Usually ships in 24 hours
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| Features:
| • | High-ratio, 11x zoom lens and 18-200mm focal range | | • | VR II Vibration Reduction technology provides a four-steps-faster shutter speed | | • | Lens incorporates two ED glass and three aspheric lens elements | | • | Delivers high-resolution and contrast, outstanding image quality, and fantastic photographic versatility | | • | AF-S Silent Wave Motor provides fast quiet autofocusing, and M/A mode makes it easy to switch from auto to manual focus |
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Product Description
Nikon's 18-200mm f/3.5-5.6G ED-IF AF-S DX Zoom-Nikkor is a high-ratio 11x zoom lens with Nikon's exclusive VR II Vibration Reduction technology. Nikon's VR II provides the equivalent of a shutter speed 4 steps faster than would otherwise be possible, enabling substantially sharper pictures in challenging conditions. The Nikkor 18-200mm lens incorporates two ED glass and three aspheric lens elements to provide optimal color, contrast and clarity while minimizing chromatic aberrations and other distortion, resulting in outstanding image quality and versatility. In addition, Nikon's compact AF-S Silent Wave Motor provides fast and quiet autofocusing while the M/A mode allows for simultaneous switching between Autofocus and manual focus operation.
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| Customer Reviews: Read 263 more reviews...
 Groundbreaking lens May 14, 2006
S. L. Miller
668 out of 675 found this review helpful
By now there are enough pro reviews out there for experienced shooters to read the handwriting on the wall. No, this is not a 17-35 and 70-200 wrapped into a tiny package. You can't have that for any amount of money. The 18-200VR is NOT meant to challenge the exotics like my 70-200VR or the 200-400VR. It's not even meant to take on a prime. It's designed to be the ultimate one lens solution when you don't want a bag full of heavy glass along for the ride. It features moderately fast (but not very) optics, vibration reduction and a lot of work to keep CA and distortion down. This it achieves with some success, but distortion is still obvious at 18mm. Distortion is sever enough at the wide end to require correction in post (easy to do), but this is NOT lens for those who shoot architecture professionally. This type of distortion is TYPICAL for a lens of this type.
I'm sorry, but those who have panned this lens either got a bad one (quite possible with early batch issues reported) or just don't understand what a walk-around lens is for. This is what we all hoped the 24-120 VR would be, but unlike that lens it gets much more done for just 200 dollars more. Anyone who says there are lenses like this for less...well where? No other superzoom is this sharp, has so little CA and throws in VR II as well...and in a small package!
Now...how good is it in the real world? VERY GOOD. It's a match for the sharp little 28-200G which means it's only a bit less sharp than the 70-200VR which costs twice as much. My first images with this lens were stunning, detailed and fairly sharp to the edges above F5. Close focus gives near macro results and again this lens is SHARP! Focus speed is quite fast of course, but I feel that the 18-70 kit lens is a hair quicker. You could shoot all day with this miracle and do it all without feeling like you need a giant lens. If, like me, you find yourself shooting mostly in the 35-200mm range on a DSLR, this lens makes a lot of sense. It also displayed deeper color saturation and contrast than either the 28-200G or 50mm 1.8. Did I mention that I'm impressed?
Build quality is good, but not great. It's hard to be impressed with any lens build when compared to the 70-200VR. The 18-200 zoom is a bit stiff, the manual focus a bit loose. I suspect Nikon dialed up the zoom stiffness due to early problems with lens creep early on. It's not creeping at all. The size of the lens is only a bit bigger than the kit lens, perhaps as bulky at the Tokina 12-24 if you have one of those.
VR II exceeds all expectations I was able to shoot sharp shots at 1.10th sec exposure. But remember this is NOT fast glass. A moving object in dim light will be blurred at such slow shutter speeds. Thus far this is an impressive effort from Nikon. Even an experienced shooter could find this lens on the camera most days and be happy. "Average" shooters will need nothing more because this lens is that good. The only areas for improvement given the real limits of optical design are in the build quality, which could be a bit better. In the end, even at 700 dollars plus, this lens is pretty hard to resist.
And no, this is not a "kit lens with VR." The kit lens only reaches to 70mm. The kit lens also can't do near macro work as this lens can. The kit lens is also not as sharp. And of course this lens has the latest version of VR that works superbly. There is simply no other lens like this on the market currently. Again, if you're thinking that this lens should be perfect and doesn't require compromises to achieve it's design goals, please do your homework before buying. If you need a zoom to cover this range at F2.8, with no distortion and small size please call Mr. Scott aboard the Starship Enterprise.
For those who question the sharpness of this lens, be aware that there are online tests showing it's even sharper at the corners than the legendary 17-35 2.8! Against my 70-200VR I see a SLIGHT sharpness advantage with the 70-200, but only visible with a 100% crop. Or to put things even more in perspective, this lens works nicely on a D200. Search the forums for yourself. Most D200 owners are reporting great sharpness even with pro bodies.
This lens is simply a ton of fun for people who like to take pictures
Awesome lens January 3, 2006
Joseph Sudano (Dix Hills, NY United States)
327 out of 347 found this review helpful
I ordered the new 18-200mm vr lens after using a Nikon 70-300mm lens with my Nikon D70 camera to photograph my daughter's graduation. I used the camera handheld at a speed of 1/20th of a second or less due to available light. Camera shake was evident in most of the photos I took due to the high magnification, available light, and speed I needed to shoot at without a tripod.
I received the new lens on Dec. 27th, and I really put it through its paces. It is lightweight and has a very compact size. The sharpness of the lens is excellent and the vr works flawlessly. I am able to shoot at full magnification @ 1/20th of a second and slower without any distortion. The lens is very quick and quiet as it focuses. The photos are beautiful.
To be able to shoot from wide angle 18mm - telephoto 200mm without changing the lens is too good to be true.
This lens is a great investment in versatility, quality, and convenience.
Best walkaround lens ever made. February 12, 2006
Arturo Fukuda Ll (PERU)
267 out of 280 found this review helpful
My thoughts:
- It's sharp at the center at all apertures and at all focal lenghts, however it falls short on the edges ("sweet point" at f10 or f11, IMO)
- It's a very contrasty lens.
- The VR system works very very good (Im able to get steady handheld shots even at 1/1.3s)
- It's well-built, solid and reliable.
- The autofocus speed is very fast and accurate.
- does the lens creep? Yes, it does (sometimes) but I really dont mind it.
- The 11.1X zoom is unbeatable, better than any zoom ever made, and it's faster at long end than the Sigma or Tamron ones (f5.6 vs 6.3)
- It's a highly recommendend lens, no doubt on it.
- Some sample images at full resolution taken with D50 can be found on the link below:
http://www.pbase.com/afukuda/cusco_puno
Do Not Get This Lens! March 6, 2006
Jack L. Kessler (Paris, France)
171 out of 180 found this review helpful
There are several reasons why you should not get this lens. First is that I have gotten a reputation for taking great pictures. How will my reputation last if people find out it is really just the lens? Second is that it replaces so many other lenses that it is sure to cause unemployment around lens factories in Thailand, Malaysia, and China. You don't want that on your conscience do you? If you use this thing to zoom in or out to frame pictures, when will you get exercise by walking long distances and climbing over things so that you can "zoom with your feet" like a prime lens user? Getting this lens will also mean that you will have wasted your investment in tripods because the VR-II makes them almost always unnecessary, and you don't want that do you? The VR-II provides four stops of stabilization, one better than VR, which means that you can shoot at exposures 16 times longer than without it. Not having to worry about shaky hands will reduce your incentive to cut back on the Starbuckaroos, will it not? It also increases the effective speed of the camera so much that you can use polarizers more frequently to shoot through windows and water which is sure to ruin the privacy of mannequins and fish. Even if you are wrongheaded enough to buy this thing in spite of all these good reasons not to, at least have the decency to wait until I have unloaded my old Nikon 24mm-120mm VR lens on Ebay before you do, so I still can get something for it. There is some vignetting at 200mm and barrel creep when the lens is extended, which of course is intolerable. It is also horribly expensive, almost half as much as the Nikon 70mm-300mm VR lens it replaces, among many others. If you are fool enough to get this thing, don't say I didn't warn you.
P.S. The only thing this mutt won't do is shoot at very shallow depth of field because its maximum aperture is f/3.5. The solution forced on you by this huge shortcoming is to carry a Nikon 50mm f/1.8. Being forced to carry that supplemental lens will cost you in excess of $90 and weigh you down with several ounces of otherwise unnecessary burden for one of the sharpest lenses available. Don't do it.
 Not the "Perfect Lens", but close June 10, 2006
William R. Stockstill (Marietta, GA United States)
126 out of 126 found this review helpful
I waited 6 weeks for mine to arrive and used it almost immediately at an airshow featuring the Blue Angels. I took about 3 gigibytes of pictures at that show. I used the lens with a D50 in sports mode to capture the fast moving planes. It was a great day with not a cloud in the sky. When I later looked at the pictures I was dismayed to see significant light fall off or vignetting on the shots taken at 200mm with the lens wide open at f5.6.
This light fall off is the most significant problem I have noticed with this lens. I contacted Nikon and they said it was normal. Since the lens is made for the smaller DX sensor the diameter of the lens is smaller. This causes mechanical shadowing at long zoom lengths with the lens at the wide open settings of f5.6 until about f11. All lenses have light fall off, to some degree, at the edges. When you use a regular lens made for 35mm with the smaller digital DX sensors the fall off is outside the sensor and not seen. The light fall off was especially noticable with the blue/uniform background. If the background was "busy" the falloff would be less noticable.
Vignetting/light fall off is also usually seen on the wide side of zooms like this. I have not seen any with this lens. I do use a Hoya Pro 1/2 thickness filter so that a shadow is not made when shooting wide angles of 18mm - 28mm or so. I saw a technical review of this lens that noted it had significant outer distortion on pictures taken at 18mm but I have not seen that.
Pros
-Light weight for range
-Large range
-Vibration Reduction
-Sharp, crisp pictures with vibrant colors
-Fast Focus with manual focus adjustment ring for fine tuning
Cons
-Light fall off at long telephoto settings and large f stops
-Vibration Reduction helps with handheld shots but does not stop subject motion in low light, you still need a fast lens for that
-High price and limited availability
-Might get light fall off at wide angles unless expensive 1/2
width filter is used
-Lens Creep (but most telephotos have this to some extent)
I have since used the lens to shoot the Special Olympics. The outside track and field photos are excellent. Inside shots where hit and miss with subject movement in low light being the biggest culprit (was shooting no flash at 1600 iso).
For about the same money you can get a Nikon or Sigma 2.8 lens that covers approx. 80-200mm. I have read several opinions that you will still have fewer bad pictures with the VR of this lens and I believe that is true. It is not a perfect lens, but it takes great pictures once you know its limitations.
One tip - If you get this lens, when you use it on a tripod turn VR off, it will actually cause your photos to be blurry.
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