History, Mystery | 
| Artist: Bill Frisell
Label: Nonesuch
List Price: $20.98
Buy New: $13.00
You Save: $7.98 (38%)
New (45) Used (5) from $13.00
Rating:  9 reviews
Sales Rank: 1563
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 435964
UPC: 075597994377
EAN: 0075597994377
ASIN: B0016OMGFG
Release Date: May 13, 2008
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Factory Sealed Ships The Same Day
| |
| Tracks:
Disc 1
| • | Imagination | | • | Probability Cloud | | • | Probability Cloud Part 2 | | • | Out of Body | | • | Struggle | | • | A Momentary Suspension of Doubt | | • | Onward | | • | Baba Drame | | • | What We Need | | • | A Change Is Gonna Come | | • | Jackie-Ing | | • | Show Me | | • | Boo and Scout | | • | Struggle Part 2 | | • | Heal | | • | Another Momentary Suspension of Doubt | | • | Probability Cloud |
Disc 2
| • | Monroe | | • | Lazy Robinson | | • | Question #1 | | • | Answer #1 | | • | Faces | | • | Sub-Conscious Lee | | • | Monroe Part 2 | | • | Question #2 | | • | Lazy Robinson Part 2 | | • | What We Need Part 2 | | • | Waltz For Baltimore | | • | Answer #2 | | • | Monroe Part 3 |
|
| Similar Items:
|
| Editorial Reviews:
Album Description
Two CD set. Bill Frisell's History, Mystery is a series of short pieces, alternately elegant and playful, written by Frisell for an octet comprised of the guitarist himself and a group of longtime collaborators-friends. One evocative snippet melds into another to form a virtually seamless work that unfolds over the course of this double-disc package. It has an engrossingly theatrical quality, as if it were the score to some unseen play. Some of these tracks were originally written for Mysterio Sympatico, a 70-minute multi-media dialogue between Frisell and fellow Seattle based artist/comic book author Jim Woodring that premiered in 2002 at St. Ann's Warehouse in Brooklyn, featuring Frisell's compositions and Woodring's surreal projections, and that has subsequently been reprised around the country.
|
| Customer Reviews: Read 4 more reviews...
Cinematographic soundscapes. May 13, 2008
India
29 out of 32 found this review helpful
Trying to pigeonhole Bill Frisell is a bit similar to abstract algebra or dwarf-tossing: it's not quite as easy as you might think. Even though the guy is obviously rooted in jazz, there's so much more his music encompasses.
If you had to pick one musician from the past 20 years who has really made a difference to the way we perceive sound, the guitarist Bill Frisell would surely come close to the top of the list. His unmistakeable electric guitar technique, in which ambient colour-wash effects are used to create dreamy soundscapes, often set to the contrastingly edgy, off-kilter, rhythms associated with the New York jazz avant-garde, would alone be sufficient to ensure a place in the history books.
Bill Frisell became one of the most influential guitarists ever for a style that initially sounded like a cross between a twangy '50s rocker, Jimi Hendrix, Ry Cooder and a tape-recording playing backwards.
Those might be distinctive qualities, but beneath all that, Frisell can be a resourceful, more or less straightahead jazz guitarist, and a full-on blues player, or a fastidious chamber-music explorer.
They're standard components of any Frisell project, history and mystery. Here they're presented as a subject rather than as a given. It's a two-CD job, featuring an octet incorporating strings, horns and reeds alongside the familiar rhythm section of Kenny Wollesen and Tony Scherr.
Plus, much of the material arose from collaborations with Seattle artist Jim Woodring.
This is the Bill Frisell who makes great soundtrack music; the one who rejoices in sieving the Hot Club de Paris out of Thelonious Monk. Essential for established Frisell's fan. Not a bad place to develop the taste.
"Bill Frisell with strings" might sound like a fantasy combination, but here the guitarist is performing with an octet containing violin, cello and viola. And in a spectral, oddball way, the results are often beautiful.
As is frequently the case with Frisell, the music here is a melange of numerous idioms, from hillbilly to modern classical, with overall a wistful, elegiac mood (which is also typical of him).
It all seems to come to life on Thelonious Monk's "Jackie-ing", on which this strange but likeable band swing along like be-boppers from Mars
"Though guitarist Bill Frisell can seem indecisive in person, he has the surest touch as a musician. That is true for his playing, where he can invest a single note with meaning, and it's true in the way he organises his music and musicians. That slow response denotes a genuine thoughtfulness. And Frisell has rethought his ensemble lineup - a kind of roots-jazz-classical chamber hybrid, though with none of the hang-ups that might imply. The octet, recorded mainly live here, are particularly good at ultra-slow tempos on numbers such as Sam Cooke's smouldering "A Change Is Gonna Come", and the drawling groove of "Struggle", which foregrounds the string trio of Hank Roberts (cello), Jenny Scheinman (violin) and Eyvind Kang (viola).
The 30-track, double CD is studded with gems such as "Baba Drame" (by Boubacar Traore), "Waltz for Baltimore" and "Monroe", appropriately reminiscent of Ornette Coleman's "Lonely Woman".. ".Guardian
Artist Bill Frisell : guitar (with Eybind Kang - viola; Ron Miles - cornet; Hank Roberts - cello; Jenny Scheinman - violin; Tony Scherr - bass; Greg Tardy - clarinet / tenor sax; Kenny Wollesen - drums)
 press "play" May 17, 2008
K. R. Mangels (Washington, DC)
7 out of 8 found this review helpful
Thoroughly interesting, eminently entertaining, highly recommended!
The description that this album seems like a soundtrack to an unseen play is apt. Perfect for close "headphones" listening, or for a long thoughtful drive in the car.
Let your mind wander... Great CD!
Still Growing on Me May 23, 2008
Ron Hartman (South Jersey)
7 out of 8 found this review helpful
This holds together much better then one might think, 30 tracks from different sources. There is a very nice flow to it. I like this more then East/West, less guitar histrionics (but there is a bit). It most reminds me of his "The Intercontinental", probably my favorite Frisell recording.
His version of "A Change is Gonna Come" on here is gorgeous!
I can't wait for the next one. May 18, 2008
Eclectic (DHS, CA)
6 out of 7 found this review helpful
Another fantastic release from Mr. Frisell. I recommend this to people who are already very familiar with Bill Frisell's work and enjoy it. History, Mystery is a wonderful mix of the familiar with the unfamiliar. I can't wait to see what Bill creates next.
music for grownups June 23, 2008
eliot gardenstreet (Phoenix, AZ)
3 out of 4 found this review helpful
Miles Davis once said that the secret to playing jazz was capturing the feel of children's rhymes like "Patty Cake." Bill Frisell captures it perfectly, and his music is simple, playful, and fun. It's also serious and complex. No contemporary jazz artist (other Keith Jarrett) puts me in touch with the poignancy of life the way Bill does, with the sweetness of being alive, with delight in what's transient and beautiful in the face of great loss and inevitable death. Bill (like Keith) understands how important it is to keep jazz connected to its roots in blues and American popular song. ("All Blues" would be a good title for Bill's entire oeuvre.) I think this is why I resonate more to his music than to trickier cutting edge jazz, which sometimes sounds like an unfun puzzle. History, Mystery has the kind of artistic scope of Blues Dream, but it's even larger, more natural, and more satisfying. It contains echoes of The Intercontinentals, but sounds deeper, less concepty, and more settled. The pairing of guitar and violin has an illustrious history: Rheinhardt and Grapelli, McLaughlin and Goodman, McLaughlin and Shankar, Abercrombie and Feldman. Add Frisell and Scheinman to that list.
|
|
|
