Saturday Nights & Sunday Mornings | 
| Artist: Counting Crows
Label: Geffen
List Price: $13.98
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Rating:  117 reviews
Sales Rank: 179
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.1
Dimensions (in): 5.4 x 4.9 x 0.5
MPN: 001021202
UPC: 602517499850
EAN: 0602517499850
ASIN: B000WMGDD4
Release Date: March 25, 2008
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New - Factory Sealed - Shipped from Florida via USPS First class mail. We ONLY sell what we have in stock. NO back orders here.Import Edition
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| Tracks:
| • | 1942 | | • | Hanging Tree | | • | Los Angeles | | • | Sundays | | • | Insignificant | | • | Cowboys | | • | Washington Square | | • | On Almost Any Sunday Morning | | • | When I Dream Of Michelangelo | | • | Anyone But You | | • | You Can't Count On Me | | • | Le Ballet D'or | | • | On A Tuesday In Amsterdam Long Ago | | • | Come Around |
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| Editorial Reviews:
Amazon.com
Given the churning tides of fashion and fate, six years can often feel more like an eternity in pop music. Yet Counting Crows' first studio album since 2002 bristles with an urgent energy that makes their creative restlessness almost palpable. The Crows haven't so much reinvented their roots-conscious ethos here, as shrewdly divided it along the album title's thematic lines: "Saturday night is when you sin," explains singer Adam Durwitz "and Sunday is when you regret. Sinning is often done very loudly, angrily, bitterly, violently." Thus, the band indulges itself in a raucously loose-limbed opening half that freewheels from the snarling Gil Norton/Steve Lillywhite produced blast at betrayal "1492," through a Stones-y, left-handed country-rock ode to "Los Angeles," and the irony of "Sundays"' no less pop-savvy angst. That mood shifts dramatically with the opening acoustic guitar notes of the lovely "Washington Square," heralding a mood of reflective redemption that characterizes the album's closing chapter that showcases the band's potent folk sensibility via the earthy studio aura of Modest Mouse/Iron & Wine producer Brian Deck. If it's only half the long-rumored "unplugged" album so many Crows' fans have anticipated, Durwitz's ever soulful lyrical intrigues, the songs' far-ranging moods and adventurous sonic textures - which encompass the spare, haunting beauty of "Le Ballet d'Or," and even a little of Brian Wilson's harmonic glories on the close of "Anyone But You" - deliver so much more. --Jerry McCulley
Amazon.com
With over 20 million albums sold worldwide, eight Top 5 singles, and three records that have broken the Top 5 on the Billboard 200, COUNTING CROWS are set to release their long awaited new album SATURDAY NIGHTS & SUNDAY MORNINGS. The record is the Crows' first studio album in almost 5 years, since the release of Hard Candy in 2002. Counting Crows Photos More from Counting Crows 
August and Everything After [DELUXE EDITION] | 
New Amsterdam: Live at Heineken Music Hall | 
Films About Ghosts: The Best Of... | 
Hard Candy |
This Desert Life | 
Across A Wire: Live In New York City | 
Recovering the Satellites | 
August and Everything After |
Album Description
UK edition of the 2008 album from Adam Duritz and the boys features one bonus track: 'Baby I'm A Big Star Now'. This is, an album that embraces the menacing vibes of Saturday Night and the more contemplative moments of a Sunday morning. Saturday Nights, the album's angry, electric, dissolute opening salvo was produced by Gil Norton (The Pixies, Foo Fighters), a longtime friend and associate of the band who previously produced their second album Recovering The Satellites. Sunday Mornings, the more acoustic and Folk-influenced side of the album was produced by Brian Deck whose past credits include Modest Mouse and Iron & Wine. Features the single 'You Can't Count On Me'.
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| Customer Reviews: Read 112 more reviews...
Counting Crows Are Back, and What a Return! March 27, 2008
Brian Hartman (Scotch Plains, NJ United States)
103 out of 112 found this review helpful
Counting Crows were somewhat written off after 2002's Hard Candy. Adam Duritz and the rest of the band, in that CD, put out a self-consciously pop CD, without a lot of meat on it. Then you had the infamous Coke commercial, and Shrek 2, which earned them an Oscar nomination but no accolades for credibility.
Well, on Saturday Nights & Sunday Mornings, Counting Crows proves that they're not out of ideas, and haven't lost their drive. This is a fantastic CD that basically melds the folk sounds of August and Everything After with the harder edge and pathos of Recovering the Satellites.
If you're reading this review, you probably know by now the basic concept of the album: It's divided into a Saturday Nights portion and a Sunday Mornings portion. Saturday nights is when you sin, loudly and angrily. This "side" contains mostly electric guitar anger and bitterness, as the protagonist (i.e., Adam Duritz) slides deeper and deeper into depression and loss of self. The Sunday Mornings "side" contains songs of recovery, of trying to put your life back together. (The emphasis is on *trying*. Only in the final song, "Come Around", is there any kind of faint glimmer of hope on this CD.)
Here's how the songs pan out:
Saturday Nights:
1) 1492 -- This is a song about losing yourself in the party scene. It's about the meaninglessness of casual (if not anonymous) sex with Italian models and careening through the underbelly of night life like a drunken Arthur Rimbaud. And it's about all the "people who impersonate our friends" you meet along the way. You can download this as part of a "digital 45" from their site, so I won't bother describing it for you. 7/10.
2) Hanging Tree -- This is one of the best songs on the CD. It's basically about not being able to connect with anyone: "You open windows, and you wait for someone warm to come inside, and then you freeze to death alone." This is really a guitar-driven tour de force. 9/10
3) Los Angeles -- On this one, Counting Crows basically channel the Rolling Stones. Here, Adam gets a little self-indulgent, with lyrics like,
If you see that movie star and me
If you should see my picture in a magazine
Or if you fall asleep while you're watching TV
Well, honey, I'm just trying to make some sense
Out of me.
It sounds like a song designed to say, "Hey, I'm just trying to enjoy myself here. Cut me some slack." Like I said, a little self indulgent. 6/10
4) Sundays -- This one was a surprise. After 3 hard-driving songs, this one is more laid back. It's got nice music, but I don't really understand it, other than he's expressing a lack of faith. 6/10
5) Insignificant -- Here, it's all about a search for meaning. The protagonist (this time not explicitly Adam) stands on the ledge of a building, looking out over the crowd, believing he can fly -- *needing* to believe he can fly, to find some significance in his life. It's really a different way of expressing "Mr. Jones": He wants to be seen, to be noticed, and to mean something in the world. He also wants to be special, without feeling "different" because he's in some celebrity bubble. Great music, decent concept. 8/10
6) Cowboys -- Here, the protagonist is so desperate to be feel something, to mean something in the world, that he becomes a serial killer. The climax of the song is, "Oh, I will MAKE you look at me!". If it wasn't over 5 minutes long, this would be the perfect single. It's hard driving, wonderful, twisted lyrics (the protagonist is a paranoid schizophrenic), and every part of the music builds to the devastating, crumbling climax. 9/10
Sunday Mornings
7) Washington Square -- This is a song about picking yourself up and getting yourself together to go out and live your life again. Quiet, introspective music, and Adam is at his pensive best here. 9/10.
8) On Almost Any Sunday Morning -- Here, the protagonist has taken the wrong woman home, just because he doesn't want to be alone. But he wakes up, and he's alone anyway. He also talks about taking lithium here (to control his depression, apparently). By the end of the song, he vows to find someone real to be with, and not to settle for the one-night stands:
"You dig yourself a dream
That we won't be coming home alone
Not this time..."
This is really a brilliant song. It's the one that reminds me most of the sound of August and Everything After (and even more specifically "Round Here"). 10/10
9) When I Dream of Michaelangelo -- If you've ever wondered what the line "I dream of Michaelangelo when I'm lying in my bed", from "Angels of the Silences" means, this is the song for you. This song has been puttering around in Adam Duritz's head since at least Recovering the Satellites. It's a beautiful ballad about being so close to someone, yet never being able to touch who they really are. "Well I know, she is not my friend, 'cause there she goes, walking on my skin again and again". 8/10
10) Anyone But You -- The best way to describe this song is, the protagonist is in a relationship, and he can't handle it. His eye is on the door. He's not together enough for a relationship.
"I'm almost ready.
Yeah, it's almost true.
For almost anyone but you."
It's got a real 70's feel to it. Not my favorite song, but not unpleasant. 6/10.
11) You Can't Count On Me -- Adam has said he's got 4 albums describing why women should stay as far away from him as possible. This song basically sums it up. He's not Mr. Reliable. Again, not my favorite, but serviceable. 7/10
12) Le Ballet D'Or -- Think of this one as philosophically akin to Eagles' "Wasted Time". The protagonist is tired of being mired in self-loathing and self-pity, and wants to get out and live: "So come on now, let's go dance to the siren's song...". It marks a turning point in the CD, because it's the point where the protagonist realizes, finally, that although he's screwed up his life with the wrong turns he took, that he still has a life to live. A very beautiful, lilting song. 9/10.
13) On A Tuesday In Amsterdam Long Ago -- The protagonist remembers an old love, and laments her. It's the closest they've come to "Raining in Baltimore" for quite some time. I'm not a fan of "Raining in Baltimore", though. The song is too long and repetitious. (For fun, count how many times he says, "Come back to me..."). 2/10
14) Come Around -- This is, by far, the most hopeful song on the CD, and my favorite. By this time, the protagonist's fog has cleared. Things aren't great, but he sees the hope in life. His girlfriend just dumped him, but that's okay. The song ends:
"And one of the million lies she said
Is 'All of the things you loved are dead.',
But I've seen what she thinks is love
And it leaves me laughing
So we'll (meaning the band, I guess) still come around."
Overall, this is their best work since Recovering the Satellites, by a wide margin. If you lost faith after Hard Candy, give this a try. it won't disappoint you!
Good stuff March 26, 2008
evanjamesroskos (nj)
25 out of 32 found this review helpful
I've had a soft spot for Counting Crows, despite being a music snob (according to my wife, anyway). There's just something perfectly enjoyable about the music and lyrics. I've always felt Duritz was a great lyricist, even though he seems to come across as self-obsessed (his songs never seem to embody characters and so many of them are are about "looking at me" that it's hard to see any identities in the songs); his biggest weakness as a writer/singer is his proclivity to repeat certain phrases too many times. "American Girls" suffers from this a lot; on this album "Hanging Tree" has some annoying repetition. But his use of place and strange strings of imagery are always satisfying.
I've always held their first two albums as my favorites (both have different strengths). Saturday Nights... is quite strong, though it's not necessarily anything new or exciting. I think 1492, Insignificant, and Cowboys would make it onto any Crows mix I make from now on. "When I Dream of Michaelangelo" is a great call back to "Angels of the Silences" on album 2. "Sundays" moves from chipper to a more emotional chorus. And the band doesn't lose a chance to rock out when necessary.
 I got a fever, and the only prescription is more Crows... March 25, 2008
Michael Barash (Marin, CA)
12 out of 15 found this review helpful
So yes, I'm the guy who has every Crows album since the early 90s; has collected import CD and radio performances; occasionally trades on the Counting Crows trading network with other music dorks; and has gone on several man-dates to Crows concerts with my buddies. Sure the man-dates have been accidental - i.e. we didn't realize until we were sharing a blanket at Shoreline drinking Coors Light just the two of us that we were on a man-date - but that excuse really only covers you the first time, right?
Moving on.
I love the Crows. And people often think that this means they get a free pass because I get so geeked up to hear the new albums that I'll dig anything they put out. I argue it's the opposite - my expectations are so high, and I have so many awesome memories tied to Crows songs, concerts, car rides, life experiences, etc. that I'm actually twice as hard on the band as your casual fan.
And this, in my opinion, is their strongest album since Recovering the Satellites. Duritz has apparently gone down some crazy life paths since the release of the last album that wasn't live or a best-of compilation. And that's been 6 years. I think Hard Candy was 2002. This sounds like Duritz's most inspired album maybe ever - the emotion is there, each track is pretty solid, and after only one full listen I'm ready to anoint this top 3 status in the Crows' catalog (which I realize isn't that extensive).
Bottom line Johnson - if you like the Crows, you'll enjoy every minute of this album. It's what you expect, but it surpasses those expectations and over-delivers. I'm (clearly) impressed.
 Still looking for that sad beautiful soulful sound of "August" April 1, 2008
Vinny (Washington DC, DC USA)
9 out of 22 found this review helpful
I give up on CC, ever since August and Everything After, I have bought every single CD they have put out and have been disapointed with every single one. CC forte is sad music, maybe August and Everything After will be their only masterpiece, a truly a timeless and beautiful music, every single song. Saturday Nights and Sunday Mornings is again a placid
let down, boring! No soul and bad songs.
you can't count on Crows April 10, 2008
D. H. Paull (B-More)
9 out of 12 found this review helpful
ok, why are you all praising this album? Best since Satellites? Ok, so Hard Candy saw a decrease in the lyrical genius of Adam, but it's still got great music and is a good album if you delete that one bad song (I hate Maryann, whoever she is) - so what it's a bit pop-y. then they say comparable to August? bah. What are they thinking? This is their worst album and it's only got a couple decent cuts.
Here's where I'm coming from: I'm a dedicated fan. Seen the Crows in concert 8 times (5 since 2000), and every time I think it's the best concert I've ever seen (not limited to crows). I think the evolution in their music is amazing - how can they keep making great songs even better. Their last tour included a version of Rain King that topped the "New Amsterdam" version, which bested both "Across a wire" versions which far outstripped the album version which is a fantastic song. I think every song they've recorded is at least good (with the aforementioned exception), and all their studio albums are great to listen all the way through. I think their best 5 recorded songs are: Round here (Across a wire cd 2), Perfect blue buildings (New Amsterdam), Anna Begins (Across a wire cd 1) Hanging around (New Amsterdam), Up all night (Hard Candy). Of course if you're a fan of these songs too, you've already bought this album, so I guess I'm just venting.
Ok, so back to Saturday nights and Sunday mornings. I guess I just had high expectations. Today, I expected to see a bunch of ratings trashing this album when I came on here to do that. But no. I can't understand. I've tried to like this album. I've tried very hard. But I think I would be embarrassed to play it in my car. It's got some annoying sections, some bad lyrics, and some worse vocals. It's got almost no emotion. It's got no good rock. It's got no great lines that aren't reused. It's got a bit of innovation, but the album has no flow. I think it was a double album that got shrunk because it was even worse. Jeez, what did they throw out?
A few months ago, I heard a new track that I wasn't on any major album (live or studio), called "Baby I'm a big star now". Great song. I had hoped that song was a preview of the brilliant new album on the way. urgh
I'm sad. waiting over 5 years for this?
Good cuts:
Cowboy - will be one of the best concert songs in their repertoire and certainly on this album
le Ballet d'Or - the only really good song on the album - interesting, new, but it builds and never gets anywhere
On almost any sunday morning - nice harmonica
decent cuts:
Come around
On a tuesday in Amsterdam long ago
That's it man.
not a fan of the big single, "you can't count on me". Just does nothing for me. And even some of the lyrics are a bit annoying.
yeah, I mean, you've got to buy the album, just don't expect great things. Or better yet, wait till you find one on the street that's been thrown out of someone's car in a fit of frustrated "why did they do this to me" agony.
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