Britten: Peter Grimes | 
| Directors: Joan Cross, Benjamin Britten
Actors: Peter Pears, Heather Harper, Bryan Drake, Elizabeth Bainbridge, Owen Brannigan
Studio: Decca Records
List Price: $29.98
Buy New: $18.52
You Save: $11.46 (38%)
New (32) Used (5) from $18.52
Rating:  4 reviews
Sales Rank: 5973
Format: Ac-3, Classical, Color, Dolby, Dts Surround Sound, Dvd-video, Full Screen, Ntsc, Subtitled
Languages: English (Subtitled), French (Subtitled), German (Subtitled), Spanish (Subtitled), English (Original Language)
Rating: NR (Not Rated)
Region: 1
Discs: 1
Aspect Ratio: 1.33:1
Number Of Discs: 1
Running Time: 90 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: 001147709
UPC: 044007432617
EAN: 0044007432617
ASIN: B0012L0TFM
Theatrical Release Date: 1969
Release Date: July 8, 2008
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: BRAND NEW Factory Sealed - Ready to be shipped within 24 hrs from California - Average 5 workdays delivery time - Excellent customer service - Buy with confidence!
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Description
The first audio-visual recording of this essential opera, conducted by the composer. The only version to star Peter Pears, who originated the title role. Directed by Joan Cross, who originated the role of Ellen Orford.
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| Customer Reviews:
A powerful presentation July 19, 2008
S. Hansen (NH)
10 out of 10 found this review helpful
I just got the DVD and was blown away by it. I saw this performance on TV (black & while, rabbit ears, lots of snow) back around 1970 and had fond memories of it. I'm not sure how much restoration the recording required but the video is very good and the mono audio is fine. Peter Pears, of course, is incomparable and the rest of the cast is superb as are the staging and overall performance.
the oppressive sea July 31, 2008
Dr. John W. Rippon
7 out of 7 found this review helpful
How very lucky we are to have the release of the TV movie version dated 1969 of Britten's Peter Grimes. All the more so because we have the composer Benjamin Britten conducting and his partner Peter Pears who created the title role of Peter in what is certainly one of the greatest operas of the twentieth century. Pears projection of the character is superb; a troubled, confused yet resolute individual trying to fit in the village. The excellent Heather Harper as Ellen tries to reach Peter but can't. Ann Robson is commendable as the opium-dazed Mrs. Sedley the village gossip who with the drunk, failed Methodist minister Bob Boles turns the village against Grimes. All the singer/actors are very well cast. Because of the constraints of time and space, the opera had to be filmed in very small quarters on an adaptable, rotational ramp set cleverly conceived by David Myerscough-Jones. So well done that it belies the crampted space and one doesn't miss the opera house. The marvelous sea interludes were played against a series of absract images projected on gauze. The whole effect is of a misty, oppressive, constantly changing sea and the fragility of the lives that try to tame it. This is a beautiful work, beautifully done.
a riveting performance of a modern masterpiece August 13, 2008
Col William Russell (Springfield, VA)
4 out of 4 found this review helpful
This is the only opera written after Puccini's TURANDOT that I consider to be an opera, let alone a masterpiece. If you enjoy GRIMES, my recommendation is to get this superb telecast plus the one with Vickers. Two very different interpretations that cannot be equalled today in any opera house. Britten wrote GRIMES for Pears so we have that link here as well as Britten's marvelous conducting. Vickers' Grimes is more tragic while Pears is pathetic but both deserve to be seen as two sides of one coin. Picture quality, sound, and supporting cast are top-rate.
close to definitive August 1, 2008
A. Levina (Australia)
2 out of 2 found this review helpful
In my opinion, this film is as close to the definitive staging of Britten's masterpiece as one can hope to get. If only Peter Pears was 25 years younger! When the opera was premiered in 1945, he was 35, and Joan Cross, who played Ellen Orford, was 45. I think that this is the ideal age for Grimes and Ellen. For a casual viewer, it would be hard to make sense from the story of the opera, when the title character is obviously older than anyone else in the village (as in this film). Nevertheless, we have to be very grateful for the opportunity to see Pears in the role of Grimes. As to the question of whether he was too urbane and sophisticated for this character... Well, Jon Vickers has made Grimes more conventionally operatic and "heroic", but Pears knew better what it is all about (being present at the conception of the opera). I particularly liked his very fine and revealing interpretation of the Passacaglia.
The advantages of this production are particularly clear compared with some recent stagings of the opera (e.g., one at the Met in 2007, which I found terrible). It also seems to me that the attempts to transfer the action to the 20th century (e.g., Opera North) are misplaced. What about buying apprentices from a workhouse? In fact, the universal meanings of this opera become more, rather than less, clear when it is put into its proper historical and geographical context.
There are some inevitable technical slips related to a life performance (e.g., the Nieces singing "together we are safe" are not in fact together). For a perfect musical rendering, one should go Britten's Decca recording of 1958. The current film provides a perfect complement to this recording and an incomparable historical document.
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