Les Miserables

The film stars international acting legend Jean-Paul Belmondo as Henri Fortin, a humble man whose life takes him through some of the most important events of contemporary times. As he alternately rises to heroism and sinks to criminal desperation, Fortin's existence mirrors the struggle between good and evil that illuminates Victor Hugo's character, Jean Valjean.

When Fortin meets and befriends the wealthy, intellectual Ziman family (Michel Boujenah, Alessandra Martines and Salome) who are fleeing French and German Nazi persecution of the Jews, he builds an unusual friendship with the brilliant but desperate trio. And for the first time, he learns the story of Jean Valjean and comes to see himself as a real-life extension of Hugo's protagonist.

The Zimans read Les Miserables to the illiterate Fortin as he smuggles them across the country, and by the time their momentous journey is finally complete, they have all come to realize their roles in the parallel epics of literature and life.

With a stellar cast that includes Annie Giradot, Philippe Leotard and Clementine Celarie, Claude Lelouch incorporates vignettes from Fortin's past, from the lives of Fortin's and Lelouch's own parents and from Hugo's novel into the saga, spanning generations and delineating his-and Fortin's-belief that, in the words of Willa Cather, "there are only two or three stories in the world and we must all live them over and over."

"Les Miserables," written, produced and directed by Claude Lelouch, and freely adapted from the novel by Victor Hugo, begins at the start of the twentieth century, with a glittering New Year's celebration that soon leads to a man's suicide. Before we know it, another man-the lowly Fortin-is convicted of murder and serving time in a cruel prison.

The prison scenes were filmed at Fort Joux, a real jail hundreds of years old. The forbidding setting brought a sense of gravity to all of the actors and an air of timelessness to the story of man's eternal suffering on Earth.

Meanwhile, Fortin's adoring wife and young son await his release and try their best to survive until they are re-united. However, it is not to be. Fortin suffers in jail and dies, and his wife is turned to prostitution by the venal innkeepers who employ her. The young Henri lives a miserable existence, swallowed by sorrow, until he is taught to box.

After Henri Fortin leaves the inn and becomes a young soldier, the viewer encounters him about to begin a boxing match in an open hospital courtyard. He is surrounded by hundreds of wounded World War I soldiers; the year is 1918 and snow is falling heavily, giving the scene a hallucinatory air. Before the fight can begin, the end of the war is announced, and the soldiers begin joyously chanting "Fortin, Fortin!"

Scene after scene of spectacle and personal revelation follow, spanning decades and moving from elegant drawing rooms to wartime prisons to expansive outdoor landscapes. As the Nazi occupation of France begins to cast its shadow over the country, town after town and peaceful countrysides as well are transformed into terrifying traps for the Zimans and the thousands of other French Jewish families. The Zimans travel by train, by truck and by car, hiding in small towns and under floorboards, far from their beautiful home and fearing death every minute.

As they flee one house, merely steps ahead of their pursuers, they find themselves in the hands of Henri Fortin, and at the beginning of a friendship that is as strong as it is unlikely. Throughout the enormous events that follow for all of them, the focus remains on the personal fortunes, emotions and actions of the people who so fascinated Lelouch and his creative predecessor, Victor Hugo.

Many years after his sad childhood, Fortin returns to the Guillaumes' inn as an adult, accompanied by three criminal accomplices, known as Addition, Blame and Bonnard (Ticky Holgado, Antoine Dulery and Jacques Bonnot). Fortin is pained by the memories of the treatment that sent his mother to her death, and determined to confront the brutal innkeepers who were responsible. But once he arrives he learns that the Guillaumes have died and their son and grandson, a much kinder duo, now run the inn.

After spending the night at the inn, Fortin's group awakes to discover Allied ships lining the horizon. Though they are thrilled by this development, their happiness quickly turns to terror as they find themselves the target of a vicious shelling. Fortin once again demonstrates heroism in, ironically, defending the inn.

This is a film made by an artist at the zenith of his powers. The breadth and scope of this film reaches a level very rarely seen, and is usually accomplished by a director who has reached the age where his life's experiences, knowledge of the artistry of cinema and imaginative fortitude all mesh to create an act of pure magic. Think of Ingmar Bergman's Fanny & Alexander, Akira Kurasawa's Kagemusha, or Laurence Olivier's King Lear. The way every scene, character, episode, even the music is integrated is absolutely flawless. It is equal parts funny, despairing, poignant, courageous, thoroughly engrossing, beautifully photographed, supremely edited, perfectly paced. The casting of Jean-Paul Belmondo, with his hounddog face, as Jean Valjean is a stroke of genius because he is so genuinely able to show confusion, delight, joy, understanding, patience, anger, practically EVERY human emotion there is, which Hugo used and Lelouch utilizes, so brilliantly. And the beautiful French actress Alessandra Martines, who has not done as much acting in her life as she has dancing, gets the honor of embodying the film's climax, which is one of the most satisfying emotional conclusions I've ever seen.


A beautiful movie about hope   August 5, 2004
Elizabeth (New Orleans)
17 out of 17 found this review helpful

"After 34 films, I am dedicated to filming hope." -Claude Lelouch

This is neither a movie based on the book or the broadway musical; it is not merely a retelling of Hugo's novel in modern times- it is a beautiful masterpiece that follows a period of time filled with fear, ignorance, oppression, suffering, miserable ones, war, greed, and betrayal. We follow the story of Henri Fortin (Jean Paul Belmondo), whose father died while trying to escape from a prison that unjustly sentenced him based on appearances. Henri Sr. was the driver of a man who commited suicide, and the police assumed that Henri Sr. killed the man. His wife, much like Fantine in the book, does everything she can to raise money for a lawyer, making her son Leopold, who she now calls Henri, work to raise money. She is forced into prostitution. Henri Sr. dies on an attempt to escape, so the wife kills herself. Henri Jr. starts a boxing career, and World War I ends. However, peaceful times never come because soon comes World War II. The Jews are being betrayed by all their friends. Henri is called a Jean Valjean because many people feel that his life parallels that of Jean Valjean. He helps a family of Jews travel towards Switzerland and gets their daughter into the Academy of the Sacred Heart for safety. As they drive they read him Les Miserables since he cannot read or write. He is amazed at the story and feels that Les Miserables can be applied to any situation in life. He starts seeing parallels to Cosette and Valjean.

It is a beautiful story that will surely make you cry! It is in French and has subtitles. I don't speak French but I had no problem with it. I read quickly and I had to rewind a couple of times because the subtitles go by so quickly, but that was no problem for me! I highly recommend this video if you want to see how Les Miserables is so true in today's world and is still a masterpiece. It is a wonderful movie! There is lots of violence in it, so it's not necessarily for younger viewers. it is beautifully done. I only hope they come out with a DVD version in the future with commentary and extras! BRAVO!


A Wonderful Masterpiece   April 22, 2000
Bruce (California)
8 out of 12 found this review helpful

This movie is an original work of art and will go down as one of the world's greatest films.

This wasn't Victor Hugo's "Les Miserables". Liam Neeson and gang tried to do that in their "adaptation". Nor was it a version set in a different time, such as "The Fujitive".

The producers of this film took a fresh approach - let's see how the life of a 1930's French prizefighter parallel's the life of Hugo's Valjean.

Frequent references were made as to how people this man was meeting were like the character's in Hugo's book. In fact, one of the things that maintained my interest was trying to figure out - when new characters were introduced - who they were supposed to symbolize.

Some may be turned off by the length of the film - I believe it is close to 4 hours. However, the story and the characters are so strong, that the time will pass quickly.

Don't think about getting it - get it.


A must see.   July 23, 1999
Henry (henryma@briefcase.com) (Canada)
7 out of 8 found this review helpful

If I've heard criticism of this movie, it's from people who don't quite grasp what it's really all about. I've been told that it simply isn't as good as the book, but that's not a fair comparison. This film actually serves to compliment the book by really making you think about the depth of the characters -who they are in the book, who they are in the film and who they are in our very own lives. It's hard to put into words how good a film this is, but it can only serve to make you enjoy Hugo's great work even more. It's rare to ever find a film that can make you cry because you're happy and sad at the same time. Buy it.


essential viewing   October 30, 1999
Michael A. Lacombe (Augusta, Maine United States)
7 out of 7 found this review helpful

Hugo's Jean Valjean teaches us how to live. In this wonderful, and in America largely ignored, classic, Belmondo's humble character learns that he has been living that sort of life all along. Broadway's Les Miz got it very wrong -- it's all fluff. Lelouche with this movie has it right on. Don't miss this.