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Colossus - The Forbin Project

Colossus - The Forbin Project
Director: Joseph Sargent
Actors: Eric Braeden, Susan Clark, Gordon Pinsent, William Schallert, Leonid Rostoff
Studio: Universal Studios

List Price: $9.99
Buy New: $4.62
You Save: $5.37 (54%)



New (38) Used (13) from $4.62

Rating: 4.0 out of 5 stars 107 reviews
Sales Rank: 8655

Format: Color, Dolby, Dvd-video, Full Screen, Ntsc
Languages: English (Original Language), Russian (Original Language)
Rating: PG (Parental Guidance Suggested)
Region: 1
Aspect Ratio: 1.33:1
Number Of Items: 1
Running Time: 101 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6

MPN: 61026204
ISBN: 1417026871
UPC: 025192620423
EAN: 9781417026876
ASIN: B0003JAOO0

Theatrical Release Date: 1970
Release Date: November 23, 2004
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: BRAND NEW, Factory Sealed items direct from the Studios. 30 Day Satisfaction Guarantee. Quick International Airmail!

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Customer Reviews:   Read 102 more reviews...

1 out of 5 stars Not widescreen   November 20, 2004
C. S. Junker (Burien, WA USA)
307 out of 331 found this review helpful

I got a chance to see an advance copy of this today, and to my disappointment, this DVD is a so-called "Full Frame" transfer (in other terms, Pan & Scan).

Colossus: The Forbin Project was shot in 2.35:1 (I have it on laser disc in widescreen) so you will be losing more than half of the image on this version.

What a shame! This is a classic SF movie, and it deserves to be seen as it was photographed. Sure, the price is low, but when you don't get the real film, so what? In any case, it may be reissued some day with in the special edition form it deserves, and then you'll have to buy it again. Purchase not recommended.

"No widescreen, no sale!"



2 out of 5 stars "Freedom is an illusion."   November 30, 2004
cookieman108 (Inside the jar...)
38 out of 41 found this review helpful

It's funny how different generations perceive new technology. As a child of the 70's, I pretty much grew up as personal home computing became a reality, and learned most of what I know by personal experience and extensive usage of computers at home, school, and work. My parents, on the other hand, had the technology thrust upon them, and struggled a bit (at least my mother did, as it took me many sessions to teach her how to use e-mail and also a lot of convincing that there was no self-destruct button to be accidentally pushed, one that would cause a complete meltdown of the internet), but eventually they came around. I've given up on trying to show my grandmother the wondrous world of computers and the internet as she still has problems working her top-loading VCR. What's my point here? I actually can't remember, but I know it has something to do with computers, just like this film Colossus: The Forbin Project.

Colossus: The Forbin Project (1970), based on a novel by D.F. Jones, was directed by Joseph Sargent, who primarily works in television, starting out in the late 50's as an actor soon making the transition to directing, squeezing in a few feature films in the early to mid 70's, most notably The Taking of Pelham One Two Three (1974), before going back to television. Starring in the film is Eric Braeden, a television actor with a few film credits, including that of Bruno von Stickle in Herbie Goes to Monte Carlo (1977). Also appearing in the film is Susan Clark (The Apple Dumpling Gang, Porky's), Gordon Pinset (Blacula), William Schallert (The Patty Duke Show), and Marion Ross aka Marion Cunningham on TV's Happy Days, the show credited with enhancing the cultural lexicon with the phrase `Sit on it'.

As the film begins, we learn of the United States' completion of a self-sufficient, impregnable, impervious, super-duper, ginormous computer called Colossus, the brainchild of Dr. Charles Forbin (Braeden). The purpose of this `souped-up adding machine' is to provide a completely automated, logistical defense system for the United States, eliminating the human element completely from decisions, specifically those involving nuclear weapons, the thinking being that we can't trust ourselves with such power due to the fact that we're volatile, erratic, and often prone to act on an emotional level rather than on an intellectual one. Soon after Colossus goes online (thus opening Pandora's box), it's discovered (by Colossus) that the Russians have also developed their own version called Guardian, and the two systems begin communicating with each other, eventually combining their computing resources to become one disturbing, ever-growing, ever-learning, superior god-like entity that decides, while mankind has its' uses, humans are not capable of managing themselves or the planet, and now seeks total control of everything, using the threat of nuclear annihilation as its' means to this end. Will Dr. Forbin and his associates find a way to stop this data processing beast before it insinuates itself into every aspect of our lives, or are we doomed to become slaves, literally, to our own creation?

This really is a wonderful film, presenting a highly interesting story, relying less on spectacular effects but more on originality, an intelligent script and storyline, solid acting, and good direction. Considering this film came out in 1970, I can't help but wonder if the ideas presented here may have provided a catalyst for the Terminator or Matrix films, in that of a system, created by humans, surpassing its' programming, and reaching a point of self realization, understanding its' own superiority over its' creators and making the logical decision in seeking to assume ultimate control. I thought pretty much all the actors did a good job, especially Braeden, initially presenting a seemingly cold and calculating character (much like his creation), but later exhibiting more human traits as the situation becomes more urgent. The direction was quite good, and Sargent's background directing television became apparent as a number of scenes were quite lengthy, featuring few cutshots, but rather moving the camera on a dolly maintaining a sense of watching a live performance, rather than a slickly edited film. Also, the story, while fantastic, grew to incorporate a spooky, realistic quality like something that could actually happen. The scenes where Colossus began to suspect events transpiring outside its' control and then took measures to rectify the situation were especially eerie. Also, I'm really glad the makers of this film chose not to cop out on the ending, which I thought was really suitable for the story.

As with many reviewers, I was highly disappointed that Universal decided to neglect those of us who appreciate seeing films as they were originally meant to be seen, releasing only a full screen, `pan and scan' transfer to DVD. I had not the opportunity to see this film in the theaters (too young), and while I am glad I was able to see it now, it's very obvious in watching this release much of the picture is missing. Universal couldn't even have been bothered to clean up this version, as I noticed quite a bit of white `specking' in the darker areas of the picture (I could have easily forgave that for a wide screen release). And for what? So they can offer it at a low price? I would have been willing (as many others, I'm sure) to pay more for a better product. There are no special features available (not even a stinkin' trailer), nor is there even a menu as the film starts immediately after you put it into the DVD player. Certainly not all films rate a five star release, but it's a real shame to see a large studio like Universal undeservedly slight a relatively unknown classic like this, not utilizing any of the enhancements the DVD format now offers. All in all, a two star release for a four star film. I'd recommend renting or buying used rather than buying new.

Cookieman108



5 out of 5 stars Colussus - The Beginning   November 24, 1999
Caroline Roscorla (Truro, United Kingdom)
28 out of 29 found this review helpful

First to declare my interest. My father wrote the book on which The Forbin Project is based. The comments I have read are much appreciated since the story was the original attraction for the producer. My father always said though that the producers spent more on hiring the computer equipment and computer staff, than they did on either the script or the actors.

In considering both the book and the film please do remember the book was first published in 1966, and the film was made in 1969 - 30 years ago. Man had only just walked on the moon. Computers have developed further and faster than space travel. Looked at from that perspective the film still stands scrutiny.

This was my father's first book, and written for two reasons a) to see if he could and b) as a celebration of the human spirit which will never give in.

Try and find the book(s) if you can, they are worth reading


4 out of 5 stars A thoughtful classic but should have been full screen   April 27, 2006
Roger J. Buffington (Huntington Beach, CA United States)
26 out of 28 found this review helpful

Colossus-The Forbin Project, although slightly dated as regards today's computer technology, is nevertheless a science fiction classic. This movie was derived from the novel bearing the same title, and is a very faithful, and effective, reproduction of the novel.
The premise is simple--what will be earth's next dominant species after mankind? The answer? Mankind will be succeeded by, and dominated by, the artificial intelligences that mankind itself creates. The film effectively tells the story as to how such a thing could come about. This is a chilling tale of the end of human dominance of the earth and the beginning of the dominance of the earth's new masters. The acting and direction in this film are quite good, and manage to make this tale seem quite believable.

What a shame this DVD is not a full-screen reproduction of the film, and is instead reformatted for the TV screen. It is painfully obvious to the viewer that one is not seeing the entire picture, and it is inexplicable that this DVD did not offer the full reproduction of the film in filmscreen aspect. Perhaps someday such a reproduction will be offered. When it is, many of us will want to snap it up.

This annoying and significant imperfection aside, this is a very enjoyable viewing experience, a good film, well worth repeated viewings and a must in the science fiction afficianado's collection.



5 out of 5 stars This Is The Voice Of World Control...   November 24, 2000
David J Candy
22 out of 25 found this review helpful

Every five years or so - usually quite often by chance - I'll catch an obscure, low-key movie on late-night television that will enthral and mesmerise my interest through either a really great story or stylistic visual look. Colossus: The Forbin Project is one of those movies.

The basic premise of the movie is a vast computer system, named Colossus, built by the computer genius Dr. Charles Forbin to manage the United States nuclear missile stockpile - thus successfully eliminating the potential dangers of nuclear war due to man's irrational and emotional reaction by allowing a rational decision-making machine to safeguard the American defences.

As mankind soon discovers, much to the dismay of its creators, Colossus does its job far better than originally programmed to do.

Once activated (I just love those scenes at the beginning where the lights in the complex are turned on), Colossus soon detects the existence of a Soviet counterpart system (named Guardian) and requests, no... orders its creators to have Colossus linked up to the Soviet machine.

Once the two systems are able to communicate on the same level (they devise their own computer programming language that only they know), the Colossus-Guardian system begins to issue demands on the threat of nuclear death.

What follows the fast-paced attempt by Forbin and his colleagues to somehow dismantle the threat posed by Colossus before the computer gains too much power.

The movie ends on a gloomy note. Colossus has just broadcast over television his ultimatum-greeting to the world ("This is the Voice of World Control...") and then detonates an American missile silo to show that it means business. Until this point, Dr. Forbin had shown himself to be calm and civil while dealing with his `problem child'. The shock of Colossus' cold murder leads Forbin to believe himself to be the cause for this new terror unleashed on the world.

Granted, the dated 1970s 'futuristic' feel is fully evident here. The computer terminals are very big and antiquated compared to our present-day PC terminals and Colossus' raspy electronic voice is typically Kraftwerk-esque robotics at its very finest. However, considering that this was evidently a low-budget film, the sets are still executed suitably and superbly.

A fellow cinema buff told me that Colossus: The Forbin Project bombed in the theatres mainly due to its sudden, depressing ending and an obvious lack of big-name stars. In my opinion, the acting by Eric Braedon and Susan Clark is excellent, and so too are the rest of supporting cast.

It is these very factors along with the tight storyline that actually give the movie its strength.


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