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Silver River | 
| Director: Raoul Walsh Actors: Errol Flynn, Ann Sheridan, Thomas Mitchell, Bruce Bennett, Tom D'andrea Studio: MGM (Warner)
Buy New: $63.21
New (2) Used (10) from $10.50
Rating: 6 reviews Sales Rank: 14583
Format: Black & White, Ntsc Language: English (Original Language) Rating: NR (Not Rated) Media: VHS Tape Number Of Items: 1 Running Time: 110 Minutes Shipping Weight (lbs): 0.4 Dimensions (in): 7.3 x 4.2 x 1.1
ISBN: 6302682592 UPC: 027616282132 EAN: 9786302682595 ASIN: 6302682592
Theatrical Release Date: May 29, 1948 Release Date: December 7, 1994 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: BRAND NEW - FACTORY SEALED!!
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| Customer Reviews: Read 1 more reviews...
Likeable Warner Brothers Western February 20, 2008 F. J. Harvey (Birmingham England) Star Flynn and director Walsh worked together on two previous movies namely Gentleman Jim and They Died With Their Boots On.This was to be their final collaboration and it lacks the mythologising power of its predecessors but it still remains a solid Western of its era. Flynn is cast in a relatively unsympathetic role for once .He plays Mike McComb who starts the movie as an officer in the Civil War who burns $ 1 million in payroll rather than see it fall into Confederate hands an action resulting in him being cashiered .He moves West with gambling equipment purloined from crooked gamblers and opens a saloon in Silver River where his rise to power and wealth is meteoric .He comes to own mines ,a bank and a grandiose mansion on the outskirts of town riding roughshod over opposition and with only raddled attorney Beck (Thomas Mitchell)to serve as a critic and conscience .He lovesGeorgia (Ann Sheridan)who is married to Stanley (Bruce Bennett) whom he disposes of by putting him in harms way during an Indian uprising .His methods disgust the townsfolk and Beck and his rivals gang up om him to bring him down There are overtones of David and Bathsheba in the tale and the script also refers to Julius Caesar and Hamlet ,the movie echoing their themes in part The first part is a tale of how an Empire is built and its second ,darker part examines the process of downfall and redemption .It is a relatively bleak movie for its era warning of the dangerrs posed by hubris and pride .Good performnces all round ,a rousing score from Max Steiner and a glossy productiom mean we get a strong but not classic studio system Western which all Flyn devotees will enjoy
Good Errol Flynn Film March 21, 2006 Alamo_guy 5 out of 5 found this review helpful
Errol Flynn is one of a kind. He pulled this Western adventure off with style and little effort. The film looks at how position and power can change our best intentions. A good film in all.
Morality and secular power July 25, 2005 Warren W. OLeary (Tecumseh,Mi.) 1 out of 1 found this review helpful
The previous opinions are similar to my own opinion , except I'll add that Ann Sheridan looks great in men's tight riding pants and tall boots. She has a fantastic alluring figure.Both Errol and Ann do strong confrontational roles.
Flynn's Disillusionment November 9, 2003 James L. (Toronto, Canada) 7 out of 7 found this review helpful
Errol Flynn stars as an unfairly disgraced Union officer who decides to look out for number one in post-Civil War America. He quickly builds a financial empire, methodically taking over Silver City, a town dependant on its silver mines. Of course, a lot of people have to pay for his ambition and ruthlessness, and in the end, so must he.Flynn's performance is better than usual throughout most of the film, his own personal sense of disillusionment no doubt contributing. Ann Sheridan, as the feisty woman he loves, is stronger in the first half of the film. Thomas Mitchell, as the sermonizing lawyer, gets some great speeches which he plays for what they are worth. Unfortunately, the movie's moral message is laid on a bit heavy. A little less talk and a little more action would have been an improvement. Director Raoul Walsh is usually very good at mixing character development with action, but it doesn't come together here. The actors and the director seem "tired" with this film, and the results show on the screen. It's an average Western that probably could have been much more.
David and Bathseba in the Wild West December 5, 2002 Eva25at (Vienna, Austria) 6 out of 6 found this review helpful
Near the end of the civil war courageous cavalry officer Mike McComb (Errol Flynn) burns one million dollars, so that the confederates won't get them. His reward: dishonorable discharge. His promising career as owner of a gambling saloon is thwarted, and so he decides to go west.He steals the horses and covered wagons from Mrs. Georgia Moore (Ann Sheridan) who needed them to bring machinery to her husbands silver mine. Inexorable and not choosy in his doings, McComb bullies his way to power: The workers in the silver mines lose their money in his saloons, so he decides to become a banker as well. He gives them credit, so that they can lose more money in his saloons and apply for even more credit etc... Now this western gets the biblical treatment: King David sent Uriah to die in battle because he lusted for his wife Bathseba. McComb sends Mr. Moore to explore a silver mine despite his knowledge that belligerent indians are near...The result is the same: David got Bathseba and McComb gets widow Moore. Well, he loves her, that's at least his excuse when his drunken buddy John Plato Beck (Thomas Mitchell) confronts him. He builds a gigantic castle in the desert. White marbles, imported from Europe, chandeliers from french chateaus, his own private Camelot (Greetings from "Citizen Kane"). But the golden days of die-hard american capitalism are numbered - at least in this film... Some years ago the author of a Flynn biography wrote that McComb was perhaps Flynn's finest role, so when this film was shown a few days ago I watched with great curiosity, of course. Unfortunately it was rather disappointing. Flynn was certainly one of the slyest and most entertaining stars ever to come out of Hollywood. His autobiography was appropriately titled "My wicked wicked ways" and in the early sixties the famous gossip colummist Hedda Hopper complained jokingly:"Hollywood has become so boring. There has not been one interesting rape or murder case since Errol Flynn died". Sadly, not much of his colorful persona survives on screen. In this film he has moments of dullness, especially in the first half. Sometimes he seems not here at all. He does some wisecracking, but mostly at the expense of honest and straightforward Ann Sheridan, so the fun-factor is low. He was, no question, slightly past his prime, but the glimplse of despair that appears in his eyes now and then serves the second half of this film (McCombs decline) well. There are some touching scenes when he realizes how much his world has changed. Creditors clear his house, his wife has left him to become the campaign manager of his former best friend and now embittered adversary. Flynn has a great moment when he is surprised with the news, that Thomas Mitchell, whom he knew only as hapless alcoholic, is now to become a mighty senator, able and willing to crush him. With Ann Sheridan he has a strong leading lady (She was even better in "I was a male war bride" with Cary Grant), but it's Thomas Mitchell who steals the film despite (or because) of his overacting. "Silver River" is a good film, a watchable film, especially when compared with most of the sterile products today's Hollywood has to offer, but it could have been much better.
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