Oklahoma! | 
| Director: Fred Zinnemann
Actors: Gordon Macrae, Gloria Grahame, Gene Nelson, Charlotte Greenwood, Shirley Jones
Studio: 20th Century Fox
List Price: $12.98
Buy Used: $1.20
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New (15) Used (26) Collectible (7) from $1.20
Rating:  139 reviews
Sales Rank: 8605
Format: Closed-captioned, Color, Original Recording Remastered, Thx, Ntsc
Language: English (Original Language)
Rating: G (General Audience)
Media: VHS Tape
Number Of Items: 1
Running Time: 146 Minutes
Shipping Weight (lbs): 0.5
Dimensions (in): 7.3 x 4.2 x 1.1
ISBN: 6305282927
UPC: 086162106460
EAN: 9786305282921
ASIN: 6305282927
Theatrical Release Date: 1956
Release Date: March 9, 1999
Availability: Usually ships in 1-2 business days
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Shipping: International shipping available
Condition: Average used video with original case * * We carefully inspected this * Great customer service * Satisfaction Guaranteed!
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Amazon.com
The hit Broadway musical from the 1940s gets a lavish if not always exciting workout in this 1955 film version directed by old lion Fred Zinnemann (High Noon). Gordon MacRae brings his sterling voice to the role of cowboy Curly, and Shirley Jones plays Laurie, the object of his affection. The Rodgers and Hammerstein score includes "The Surrey with the Fringe on Top," "Oh, What a Beautiful Mornin'," and "People Will Say We're in Love," and Agnes DeMille provides the buoyant choreography. Among the supporting cast, Gloria Grahame is memorable as Ado Annie, the "girl who cain't say no," and Rod Steiger overdoes it as the villainous Jud. --Tom Keogh
Description
Set in the Oklahoma Territory in the early 1900's, this joyous celebration of frontier life is a story of tender romance and dangerous passion. Gordon MacRae is Curly, a sunny, good-natured ranch hand, and Shirley Jones is Laurey Williams, the farmer's daughter he loves. Rod Steiger is he menacing Jud, who tries to comes between them. The first Rodgers and Hammerstein collaboration, this Academy Award winner for Best Score features the classic songs "Oh, What a Beautiful Mornin'," "The Surrey With The Fringe On Top" and "People Will Say We're In Love."
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| Customer Reviews: Read 134 more reviews...
 Todd-AO version of Oklahoma extremely disappointing November 18, 2005
dooby
152 out of 155 found this review helpful
This is a review of only the Todd-AO version of the movie included in the recent 50th anniversary edition of Oklahoma. The main Cinemascope version on Disc One is outstanding and deserves 5 stars and more. However the accompanying Todd-AO version on Disc Two looks abysmal in comparison.
For those who are unaware, the producers filmed two versions of Oklahoma simultaneously, the one commonly seen which is the Cinemascope version and the other, the Todd-AO version which is the one that Rodgers and Hammerstein preferred. It is seldom seen because theaters did not possess the special equipment to project these Todd-AO movies (extremely widescreen with curved edges to give an enveloping effect). The 2 movies are not the same. They did not just use different cameras or lenses to film the same scene. The films are different in that every scene is restaged specifically for either Cinemascope or Todd-AO. This is obvious in a side by side comparison - the individual scenes are subtly different. Some scenes are shot at slightly different angles, some scenes are shot at different times of the day, some scenes include cast members seen in one version but not the other while all scenes show subtle variations in performances between one version and the next. But the most obvious difference is that only the Todd-AO version includes the Oklahoma Overture as well as the Intermission, En'tracte and Finale (Exit Music) which Richard Rodgers wrote for Oklahoma but never included in the Cinemascope version. The end result is that the Todd-AO version runs for 147mins while the Cinemascope version runs for just 139mins, a fact that Fox fudges by giving the runtime of the movie as 145mins.
The Todd-AO version presented here is virtually unrestored. It is so dark you can barely read the opening credits. It is grimy. Todd-AO is shot on 70mm film (Cinemascope is on 35mm), so it should reveal exquisite detail. Instead the transfer is so soft and blurry, it is like watching a second-generation VHS tape. And although Todd-AO is shot at 30fps, as opposed to 24fps in standard film, for the express purpose of reducing film flicker, there is more flicker on the Todd-AO transfer than on the main Cinemascope version. This is a very sorry presentation of what should have been the definitive edition.
If you are buying this solely for the Cinemascope version, you won't be disappointed. It is indeed a sight to behold. If you are thinking of buying this for the Todd-AO version which few audiences today would have had the chance to see, I'd recommend waiting till Fox reissues a properly restored edition of it. In fact the Todd-AO version looks better on the old laserdisc from more than 10 years ago.
A sidenote to Fox: Please do not harangue your customers with those extremely loud, obnoxiously noisy anti-piracy messages placed at the front of all your DVDs. People who buy these DVDs are not the ones pirating your movies. I inserted this DVD into the player expecting to be greeted by the lovely music of Oklahoma only to be assailed by the abrasively loud banging, thumping and thudding of your aggravatingly annoying anti-piracy message. Do not punish your legitimate customers or you'll find us all going to the side of the pirates.
 I Returned My Copy!!! November 19, 2005
Peter Prainito (Lombard, IL USA)
76 out of 88 found this review helpful
I bought the 50th Anniversary 2-DVD of Oklahoma! After reading all the scathing reviews concerning the horrible quality of the Todd-AO version on disc two (which I happen to believe), I have returned my unopened copy.
Releasing a DVD of such inferior quality, especially of such a beloved classic, is simply inexcusable. I hope that Fox gets a ton of complaints and suffers where it REALLY will hurt them, in both their profits and credibility. For Fox to knowingly distribute such a poor product is disgraceful, and ALL consumers should voice their opinions VERY STRONGLY. Otherwise this kind of garbage will go unchecked. I only wish I knew where to contact Fox with my comments. Anybody know? Thanks.
BTW, if you've never seen Oklahoma!, it's a beautiful movie musical adapted from it's origins on Broadway. The songs are all classics, and include "Oh What a Beautiful Mornin'", "The Surrey With The Fringe On Top", and "Oklahoma!" The sweet love story from a bygone era (just before Oklahoma became a state), centers around a cowboy, his sweetheart, and the man who trys to come between them. There are plenty of laughs, dance, song, and drama, along with a stunning dream ballet sequence. It deserves a much better treatment than what it's getting in this 50th Anniversary Edition. I understand that the CinemaScope version on disc one is fine. Small consolation.
P.S. To add further insult, Fox now adds a disgusting Anti-Piracy/Copy commercial on their currently produced DVDs that REALLY should be aired on TV or mentioned in the newspapers! These ads DON'T belong on DVDs that HONEST consumers are purchasing...after all, THEY ARE NOT THE CRIMINALS!!!! Another moronic move by Fox.
Warning! This DVD may disable your player. November 17, 2005
Stephen Smith (CRANSTON, RI USA)
28 out of 30 found this review helpful
The new DVDs from Twentieth Century Fox use a very aggressive copy-protection scheme which grabs command of your player and then wreaks havoc. I had this experience when I inserted the 50th Anniversary Edition of Oklahoma into a Sony DVP-NC80V player. First I was forced to sit through a violent and offensive anti-piracy message and then I discovered that my disc player was completely unresponsive. The remote control would not work and neither would any of the buttons on the player itself. I had to pull the plug in order to turn off the machine.
I recommend that you purchase the London stage revival of Oklahoma and stay away from this release by Fox.
Ignorant Arrogant Fox November 25, 2005
Garan Grey (Hollywood, CA)
24 out of 26 found this review helpful
Before we look at OKLAHOMA! let's have a look at Fox's track record for presenting vintage roadshow musicals on DVD... the abysmal hack job Fox did on the STAR! DVD is well documented elsewhere... The star billing on the DOCTOR DOLITTLE DVD is a big enough mistake to make Mr. Harrison's estate remind Fox about his contract. The credit block on the the tacky cover of the HELLO, DOLLY! DVD claims the film was ..."produced BY Todd-AO." Todd-AO is a 70mm widescreen film format, but some ignorant Foxer changed the credit from "Produced IN Todd-AO" because they were clueless, and an equally clueless Fox Homevid Exec approved it.
Obviously these people have NO clue about these older films, and that ignorance continued with the subesequent release of OKLAHOMA!.
This new set includes two featurettes explaining the virtues of the TODD-AO format, which debuted with OKLAHOMA! But no one at Fox managed to connect the dots to realize that the 70mm TODD-AO version of OKLAHOMA! is the superior, preferred version of the film, and that the 35mm CinemaScope version is a lower quality second choice.
Originally TODD-AO was shot at 30 frames per second, while regular films run at 24fps. Since most theatres wouldn't be able to install new equipment to show OKLAHOMA in 70mm at 30fps, OKLAHOMA! was shot in BOTH formats, releasing primarily in 70mm TODD-AO, then using the 35mm CinemaScope version for the cheaper sub-runs. Therefore the 70mm TODD-AO version should be the featured version on DVD, given plenty of space on Disc One to showcase all the extra detail that 30fps 70mm contains. The 35mm CinemaScope version should have been squeezed onto disc two as a supplement.
How do these people get their jobs and keep them after so many obvious snafus? Did some kid at Fox think the Scope version was superior because it is "wider?" - not really true - the Todd-AO version is taller and has MORE picture info than the 35mm. After OKLAHOMA! and AROUND THE WORLD IN 80 DAYS, TODD-AO began to shoot at 24 fps, allowing a 35mm scope version to be extracted by cropping off the top and bottom of the original picture. So any film originating in 70mm is going to show less picture in the cropped 35mm scope version. But how are the Children of the Fox to know this when they refuse to ask or listen to anyone who knows?
There aren't a lot of people on Fox Video's current payroll who really know much about these films, There are numerous websites used by film buffs who know these movies, but the Fox Video dept. don't believe in consulting their audience. They have the arrogance of ownership ("it's THEIR film") but they forget that they are asking for OUR money. As one Fox Video Exec said "the fanatics will buy it anyway."
Warner Home Video actually employs at least one full time person who knows what he is doing with older films. Fox does not. Their catalog titles suffer as a result. The only language they understand is dollars, but even if the badly produced titles don't sell, they aren't likely to connect the low sales to their own mistakes.
I cannot recommend that people support this shoddy product with their dollars, only to buy it again a couple years later when a newer version comes out. I plan to rent the supplemental disc to watch the extras, and save my money until Fox hires people who know the product and do it right. Not holding my breath, though.
 Vibrant, memorable film version of musical classic January 20, 2001
Tommy Peter (Baltimore, Maryland)
21 out of 23 found this review helpful
"Oklahoma!" was a classic AMerican musical, groundbreaking in its seamless integration of story, score, and dance, and a highly entertaining show in its own right with a thin but delightful story and classic score, the first of many classic scores to come from Rodgers and Hammerstein. THankfully, most of that vitality, freshness, and joy, not to mention the story and score, translate accurately and brilliantly, and very entertainingly, into the splashy 1955 film version, which is perfectly cast, sung and orchestrated, and competently directed by Fred Zinneman, (of "High Noon" and "From Here To Eternity" fame) whose only movie musical this was. The gorgeous shots of the Midwestern landscape can probably best be appreciated in the widescreen Todd-AO version. (The film was famously filmed twice, in the new process and in standard Cinemescope to accomadate theatres who did not have the new technology installed) Gordon McRae is a marvelous Curley, full of energy, sarcasm, and romantacism, and he sings those songs to perfection. He and the original Curley, Alfred Drake, are the best I've heard. The radiant Shirley Jones is perfect in her film debut as Laurey. The supporting cast is all first-rate; other reviewers have mentioned Gloria Grahame's Ado Annie, which is indeed a hilarious and unforgettable performance, but there is also Gene Nelson's wonderful Will Parker, Charlotte Greenwood's loveable and delightful Aunt Eller, and Rod Steiger's adaquately menacing Jud Fry. (That last character loses some dimension through the deletion of his solo "Lonely Room," but Steiger probably wouldn't have sung it all that well, and the rest of the film is so perfect, that this is really a minor quibble) It should be noted that, even though this cast contains quite a few actors not noted for their singing pipes, no one is dubbed, and everybody sings very well. (Though again, Steiger might not have been up to the demands of "Lonely Room," though he does a fine job on "Poer Jud Is Daid") It could be argued that these classic songs have never been better-sung then they are here, and the augmented original Robert Russell Bennett orchestrations are great. Agnes de Mille recreates her original choreogrpahy to great effect; "Kansas City" still is amazing in how casually it comes out of the situation, "The Farmer and the Cowman" and "Many a New Day" are delightful, and the famous "Laurey Makes Up Her Mind" dream ballet is still stunning. Not the best R&H musical, ("Carousel" and "The King and I" outclass it in story and score, and "The King and I" is probably a better film) but certainly one of the best film versions of one of their musicals with the makings of a highly entertaining evening for the whole family. A fine tribute to a classic of musical theatre.
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