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Cruising (Deluxe Edition)

Cruising (Deluxe Edition)
Director: William Friedkin
Actors: Al Pacino, Paul Sorvino, Karen Allen, Richard Cox, Don Scardino
Studio: Warner Home Video

List Price: $19.97
Buy New: $12.04
You Save: $7.93 (40%)



New (43) Used (10) from $10.99

Rating: 3.5 out of 5 stars 90 reviews
Sales Rank: 12129

Format: Ac-3, Closed-captioned, Color, Dolby, Dubbed, Dvd-video, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), English (Subtitled), Spanish (Subtitled), French (Subtitled), Spanish (Dubbed)
Rating: R (Restricted)
Region: 1
Aspect Ratio: 1.85:1
Number Of Items: 1
Running Time: 102 Minutes
Shipping Weight (lbs): 1
Dimensions (in): 7.1 x 5.4 x 0.6

MPN: 116796
UPC: 085391167969
EAN: 0085391167969
ASIN: B00005JO5L

Theatrical Release Date: February 8, 1980
Release Date: September 18, 2007
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: BRAND NEW, Factory Sealed items direct from the Studios. 30 Day Satisfaction Guarantee. Quick International Airmail!

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Editorial Reviews:

Product Description
A sadistic serial killer is targeting New York's gay community and in response the NYPD sends rookie cop Steve Burns undercover to find the killer. Burns who is straight poses as a homosexual and enters the world of gay S&M sex clubs learning their rules and mores as he goes along. But as Burns arduously tracks down the murderer he finds himself growing attracted to these clubs and the gay lifestyle forcing him to question -- and possibly confront -- his own sexual identity.System Requirements:Running Time: 102 Mins.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 085391167969 Manufacturer No: 116796

Amazon.com
Al Pacino hunts for a serial killer in a lurid world of gay leather bars in Cruising. Because of his resemblance to the victims of a series of slayings, cop Steve Burns (Pacino) goes undercover as a gay man, wandering through wild, gyrating bacchanalias straight out of a Tom of Finland painting, hoping that the killer will be drawn to his dark, tormented eyes. Cruising is a peculiar movie, a gritty police procedural that director William Friedkin (The French Connection, The Exorcist) tried to push into a quasi-metaphysical dimension with some casting tricks and subliminal images. Due to the controversy the movie sparked in the gay community, Friedkin goes to great lengths in the commentary and featurettes to defend the authenticity of the movie's sources (about a bizarre scene where a muscular black man wearing nothing but a jock strap and a cowboy hat appears out of nowhere and slaps a suspect being interrogated by the police, Friedkin claims this actually happened, though no context is offered). The movie passes no apparent judgment on the overtly sexual scenes in gay bars...yet clearly these scenes are expected to provoke unease in the viewer. Cruising is sure to provoke arguments: Is Pacino's performance vulnerable or tentative? Is the movie about homophobia or homophobic itself? What does the ending mean? Yet there's no denying it's claimed a place in cinematic history; far more people know about it than have seen it. For that--as well as the stylish cinematography--Cruising is worth seeing. --Bret Fetzer


Customer Reviews:   Read 85 more reviews...

4 out of 5 stars One of my favorites   May 7, 2006
Larry VanDeSande (Mason, Michigan United States)
57 out of 64 found this review helpful

I've always enjoyed "Cruising", Billy Friedkin's opus on violence, male homosexuality, leather and all things bizarre. Right from that great line, "Have you ever been porked?" between stars Paul Sorvino and a fresh-faced Al Pacino, this film draws me in like few others.

While the police action and the chase mystery are interesting, what I enjoy most about this film is Pacino's transformation from all-American boy cop to undercover cop to feigning homosexuality in the leather underground of New York and the changes he goes through to get there. The script suggests he and girlfriend Karen Allen lose their love life in the process; how could they not? Try chaning your sexual orientation sometime for the focus of your job.

The scene between investigative chieftain Sorvino and his boss, who makes it clear to Paul that he either catches the killer by the time of the upcoming 1980 political convention or "I'll put someone in your seat who can do just that" adds an element or reality to the film, which straddles the line between fantasy and reality much of the time.

After being given the ultimatum, Sorvino turns up the heat on his undercover cop turning gay man, Pacino. In a touching and dramatic scene, Sorvino not only turns down Pacino's request to be released from the case, he hands him potential new leads and in effect says, "Catch this guy."

So, for me, this film is full of human realities and conflicts that make it a great film. This transcends the somewhat mundane material -- the norish police drama focused on catching a serial killer in the gay leather underground -- that makes it a compelling film about people and situations and how the two come together in art.

One thing I've never understood -- the ending. All seems well afterward, but is it? Does the tug in the harbor signal some rumbling beneath the surface? Or does this signal a return to normalcy for everyone. This is the kind of emotion Friedkin generated in all his films. Since no sequel was produced, I may go to my grave wondering about this. If so, I'll be pleased to watch this film another half-dozen or dozen times trying to piece this together.



3 out of 5 stars Distasteful But Historically Significant   March 16, 2005
Gary F. Taylor (Biloxi, MS USA)
44 out of 74 found this review helpful

Gay characters began to reach the American screen in the 1960s, but they would not be portrayed with any validity until the 1980s. Curiously, one of the most homophobic films created by Hollywood would mark the transition: the 1980 William Friedkin CRUISING starring Al Pacino, Paul Sorvino, and Karen Allen.

Based on the novel of the same name, CRUISING might best be described as a sexual thriller. Police officer Steve Burns (Al Pacino) is sent undercover into the gay community to attract and identify a serial killer who stalks New York City S&M bars, slashing and sometimes dismembering his victims with a serrated knife. But even as the killer strikes again and again, Burns becomes more and more entangled in this extremely dark world, comes to identify with the killer, and eventually self-destructs in a particularly nightmarish way.

From an artistic standpoint, CRUISING has several things going for it. Director Friedkin has an interesting eye, and the film has an unexpectedly gritty, at times almost documentary-like style. It also has tremendous atmosphere; it is adept at making the viewer feel unsettled. The cast is also effective in heightening the disturbing tone of the film as a whole. What the film does not have is a coherent plot, nor does it have anything approaching a decent script, and it is grotesquely insulting to the gay community in several ways.

CRUISING equates homosexuality with an extreme sexual lifestyle, and what emerges is a portrait of "nasty men doing nasty things in nasty bars." Does such a subculture exist in the gay community? Of course it does, just as it does in the heterosexual community--but CRUISING posits this as the norm for homosexuals. Even more distastefully, what ultimately emerges is the idea that a heterosexual man can be seduced into the gay community in which (at least according to the film) extreme sex, insanity, and violent death all go hand in hand. And it was precisely this that so outraged many in the gay community when the film was made. Film shoots were repeatedly disrupted by protests, and director Friedkin tried to calm the matter by stating that CRUISING was not "about" homosexuals--an extremely bizarre statement that only fueled community ire.

A number of gay organizations greeted the film with boycotts, but as it happened their efforts were unnecessary. Few critics and even fewer moviegoers liked the film and it soon faded from view. Seen today it reads very much like a snapshot of American homophobia in 1980 and little more. But CRUISING does have a certain historical significance: by and large it would be the last major Hollywood film to present the entire gay community in a wholly negative light.

The very outrageousness of the film seemed to prompt American film makers to a much needed reevaluation of the way in which gay characters were portrayed on screen. Although "gay man equals bad man" characters have cropped up in a few films since--Kevin Costner's NO WAY OUT and several of Mel Gibson's films come to mind--the overall reaction to CRUISING killed the stereotype. And so the film, in an accidental sort of way, is significant from a historical standpoint; film historians and movie buffs will find it interesting, and I give it three stars for their sake. But just about everyone else should leave it alone.

GFT, Amazon Reviewer



3 out of 5 stars Serial killer case becomes a nightmare for rookie cop   June 24, 2002
Chadwick H. Saxelid (Concord, CA United States)
32 out of 41 found this review helpful

It's not hard to tell that Cruising is from the director of The French Connection and The Exorcist. On the French Connection side of the cinematic coin, Cruising has the same documentary like and gritty, urban noir texture. On the other it has The Exorcist's blunt edged shock tactics, shoving unsettling imagery in the viewers face at every opportunity to do so.

Body parts are found in the rivers around NYC while a serial killer is hacking up men that frequent hardcore S&M gay leather bars. Desperate to close two unsavory cases (and not caring whether they are truly linked or not) top cop Paul Sorvino sends in rookie Al Pacino (who fits the victim profile) to lure the killer out of the shadows. The case seems to have an effect on Pacino's character, but director William Friedkin is far too objective, letting the unsavory events unfold without allowing the viewer to become emotionally involved in them, so it all seems shock for shock's sake. This movie was extremely controverisal when first released and (judging from the polarized reviews here) still packs a powerful and unnerving punch. Recommended for those that want a dark and disturbing ride.


5 out of 5 stars PUT IT OUT ON DVD !!!   August 3, 2006
S.L.S (Ontario Canada)
17 out of 21 found this review helpful

I saw this movie when it originally came out
and I was blown away by it.I got sick of waiting
for it to come to dvd so I transferred it onto
a blank disc just so it wouldn't deteriorate any
further.
How do I begin to describe this movie.When it
first came out it shocked both the gay and
straight community.I can understand the shock
of the straight community and the anger of the
gay community.
It was the 1980's and most gays were in and
not out of the closet.They needed positive images
of themselves to be projected to the straights.
So far there had been The Boys in the Band (1970)
and Le Cage Aux Folles ( 1979).So from these two
movies,gays were either suicidally unhappy or
limp wristed fruity tuities.And then along comes
Cruising.To state at the beginning of the movie
that it is not representative of the entire gay
community was a political move engedered to make
the gays less angry about it.It failed miserably.
Here's why.A whack job is knocking off gay men
in leather bars.( straights were probably saying
so what's wrong with that and what's a leather bar).
Al Pacino a straight cop is asked to infiltrate
the gay community posing as a gay leather freak.
The longer Pacino spends time in this sub culture
the stranger he acts with his girlfriend.He also
seems to be losing touch with his own reality.
The scenes in the leather bar are as scary as hell.
Scenes with f*** F****** and every one taking poppers,
along with the coloured hankerchief signals is enough
to turn most straights into anti-gays if they weren't
already.( I must say however that Pacino trying to
dance in the leather bar scene is hysterically funny)
In the end Pacino really loses it and kills someone.
I guess that's what happens to straights when they
try to enter the gay community. ( I'm joking)
Why did I like this movie?Because it did give a
true portrayal of the leather scene sub culture.
It wasn't one of those black water melon movies
that make todays black people cringe at.
Al Pacino does give a compelling performance of
a man who is losing himself in this sub culture
life style.
Is this movie worth seeing ? DEFINATELY

BRING IT OUT ON DVD !!!



4 out of 5 stars CRUISING CHANGED AL PACINO'S MIND ABOUT THE GAY LIFE   December 8, 2004
Oliver Pennington (New York, New York United States)
15 out of 20 found this review helpful

After CRUISING came out, I saw the author of the original book interviewed on a NY television news show. He was as confused as most of the audience who saw the film. "It doesn't make any sense," he said. "They cut out the principle parts of my book and bowed to pressure. It's a mess."

I went to see CRUISING at a huge theatre on Broadway and saw it with a packed house. Some guys I personally knew were in the film (I was supposed to audition but had to leave town because Mommy was ill). I didn't dislike the movie, per se, I just don't like to be blind-folded and led down a dark "cul de sac." This movie was mostly a tease: is Al Pacino getting turned on by all the sex he's witnessing, or, is he just amazed that good-looking gay men, most of whom are as masculine as straight guys, are actually doing these things? The Central Park, Village and other cruising activity was very realistic and ominous.

Pacino was in a rather dull, "let's-eat-and-watch-television" type of relationship and was suddenly thrusted into the dark underworld of leather bars and anonymous sex. It was obvious that the Pacino character was "interested" in the raunchy goings on at the underground haunts. He really got caught up in the scene filmed at The Bar in the East Village where he unwittingly sees the killer for the first time. Al gets swept up in some frenzied dancing and popper sniffing during this scene and actually looked like "one of the muscled boys."

On Uniform Night at dark dive, he witnesses some heavy sex activity which included a sling and a can of Crisco. Freidkin fought like made to keep Al straight, but curious, and I think that he really did have catching the murderer as his #1 priority. But there were holes in the script. The main one came when Al felt he had found the killer and where he lived. He breaks into the guy's apartment, snoops around, but doesn't take anything that might have the guy's fingerprints! The police have the killer's print on the coin found in the gay book store's porn peep booth. Al ignores or forgets his training as an undercover cop. I think he was more interested in "getting under the covers" with some of those oversexed studs he stared at in the bars.

I hated seeing Malo turning into such a wuss during the stabbing scene in the Times Squre hotel. He could have taken that guy, or at least fought for his life!

My friend Denny did a wonderful job of cruising the guy who became the second victim who gets stabbed to death in the peep show at the book store over on Eighth Avenue.

And where did the idea come from to put two drag queens in leather and high-heeled boots, stomping through the Village in this mix?!!!. I've never seen any NY characters like that in real-life! And then, to have two wayward cops force "the girls" to have sex in the back of the police car? Please. It was nice seeing Keith Prentice (Larry in "Boys in the Band") as the partner of victim #2. He was a good actor and should have gotten more work.

You could see Pacino "changing" during the latter part of the movie. He felt self-conscious about his body after seeing all the perfectly-built gay men and he starts to work out. His love-making with his girlfriend became rough and abusive while the sounds of the depraved gay-bar-sex played in his head.

At the end (after he has solved the crime), we see Al Pacino, dressed completely in leather, headed for a night out in the sleazy leather bars...

Pacino, gives a realistic, but confused performance (as written and directed) and I enjoyed Paul Sorvino as the police chief. I liked the film noir quality of this piece, even though it was in color. The night was dark in this film and the bar scenes, though a bit over-the-top, gave a pretty acurate view of this underworld.

Where's the DVD on this ground-breaking movie?



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