The Europeans (The Merchant Ivory Collection) | 
| Actors: James Ivory, Lee Remick, Tim Woodward, Lisa Eichhorn, Kristin Griffith
Studio: Merchant Ivory Productions
List Price: $19.95
Buy New: $13.11
You Save: $6.84 (34%)
New (24) Used (7) from $13.11
Rating:  4 reviews
Sales Rank: 31096
Format: Anamorphic, Closed-captioned, Color, Dvd-video, Widescreen, Ntsc
Language: English (Original Language)
Rating: Unrated
Region: 1
Aspect Ratio: 1.66:1
Number Of Items: 1
Running Time: 91 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
ISBN: 0780026748
UPC: 037429178829
EAN: 9780780026742
ASIN: B0000A02TU
Theatrical Release Date: October 8, 1979
Release Date: August 19, 2003
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: BRAND NEW Factory Sealed - Ready to be shipped within 24 hrs from California - Average 5 workdays delivery time - Excellent customer service - Buy with confidence!
| |
| Similar Items:
|
| Editorial Reviews:
Description
Merchant Ivory Productions, The Criterion Collection, and Home Vision Entertainment are proud to present The Merchant Ivory Collection
This entertaining story from a delicious early novel by Henry James takes place in a New England Arcadia that stands for everything beautiful, pure and good. Into this Eden come a sophisticated European brother and sister who turn up unexpectedly on the doorstep of their staid American cousins, the Wentworths. The fortune-hunting Eugenia (Lee Remick) and her high-spirited brother Felix (Tim Woodward) turn this Puritan world upside down. The film concludes with three betrothals, like a Mozart opera. But Eugenia has been too clever, and must return to Europe as empty-handed as she came.
|
| Customer Reviews:
 ALL TALK...NO ACTION...ENTERTAINING, NONETHELESS... August 29, 2007
Lawyeraau (Balmoral Castle)
13 out of 13 found this review helpful
This beautiful adaptation of the Henry James novel of the same name is an early Ivory/Merchant film. It is beautifully shot with shimmering pastoral scenes that bring to mind some wonderful impressionist paintings. The story is likewise somewhat impressionistic and centered around two brother and sister expatriates, Eugenia and Felix Young, who come from Europe to visit their wealthy American half cousins, the Wentworths, in the very bucolic, very Yankee, suburban environs of Boston in the late nineteenth century.
The Wentworths are a rather strait-laced, prim and proper, wealthy family, whose head is the dour and mistrustful old Mr. Wentworth (Wesley Addy). The family welcomes their European cousins with some trepidation and reservation, as they seem positively bohemian to them. The one exception is Gertrude Wentworth (Lisa Eichhorn) who gravitates towards her newly found, sophisticated relatives. As a flower turns to the sun, Gertrude turns to her cousins to brighten her otherwise dull and narrow world. She is not disappointed.
Eugenia (Lee Remick) proclaims to be the Baroness Munster, an unhappily married woman on the brink of divorce. Her charming brother, Felix (Tim Woodward), is a rather artistic fellow with no foreseeable prospects. Together they take the Wentworths by storm and turn their previously well ordered, somewhat provincial world, upside down. This is a slow moving film that allows the story to unfold at its own, unhurried pace.
As Eugenia and Felix leisurely weave themselves into the fabric of the Wentworths' lives, changes ensue. During their stay, a romance develops between Felix and Gertrude. Her rebuffed suitor, Mr. Brand (Norman Snow), ends up finding solace in the arms of Charlotte, Gertrude's more eminently suited sister. Eugenia, however, who has set about to snare the Wentworths' attractive and wealthy neighbor, Robert Acton (Robin Ellis), is in for a very rude awakening.
Lee Remick, a vastly underrated actress, is delightful as the beautiful and predatory Eugenia. Tim Woodward is boyishly charming as Felix, the cousin who sweeps Gertrude off her feet. Robin Ellis is excellent as the thoughtful Robert Acton, the man who stands on the brink of a major life changing decision. Wesley Addy is very good as the suspicious Wentworth patriarch. Lisa Eichhorn's portrayal of Gertrude, however, is flat, as if she were performing in the throes of a zen-like trance. Yet, it does not detract unduly from the overall quality of the film. This is a film that those who love period pieces ahould enjoy.
 Boring May 18, 2005
K. Nesler (Wisconsin, USA)
10 out of 19 found this review helpful
I found this movie a waste of time. It really was a long 90 minutes. I suppose if I had liked or even known the actors I might have found some enjoyment in it, but I only knew the one and she is not one of my favorites. The music was very nice, with old hymns used in the score and played on period instruments. This movie really put me to sleep. I found the script dull and lifeless. I do love period pieces, but this one was sorely lacking compared to the BBC productions. I would recommend that you borrow this from your library before buying it (try an inter-library loan if your library doesn't have it). I would hate to see someone spend over $20 on this and find that it was a waste of time to watch it.
The life in 19th century massachussets January 9, 2007
Armando Enriquez (Mexico city,Mexico)
7 out of 10 found this review helpful
Excellent descrition of the life in high class,very conservative and religious America late in the 19th century. As most of Ivory pictures it has beatiful settings and great views of nature and lifestyle of the upper very conservative class in North east coast America,however still naive to the european royalty or impostors.
An All Too Common Filmmaker's View of Puritan American September 18, 2007
Joe E. Byerly (Pebble Beach, CA USA)
4 out of 4 found this review helpful
This review was written by my wife, Melanie.
The best about this film is the glorious setting in a New England autumn when the colors of the trees are their most vivid. Interestingly, as revealed in an interview with Merchant/Ivory included on the DVD, the fall setting was not planned, but fortunately occurred because of production delays. The second best about the film is Lee Remick, who turns in a first-rate performance as the Countess Eugenia.
The script has problems, the main criticism being that some of the characters are not believable, such as the puritanical patriarch of the Wentworth family. He is the typical filmmaker's depiction of religious persons, especially devout Christians--stuffy, intolerant, anti-intellectual and foolish. This kind of silly sterotype detracts from the film's merits. Mr. Wentworth is reduced to cardboard caricature, when he could have so easily been a real, flesh-and-blood individual. This kind of sloppiness in the script insults the intelligence of the audience, and is a fault with some of the period Ivory/Merchant productions. While they are rich and creative as far as the visual goes (magnificent locations, sumptuous costumes and great photography), they don't always give their audience the same quality when it comes to the script and fleshing out the characters.
|
|
|
