Depot.com
 Location:  Home» VHS » Japanese » Cruel Story of Youth  


Categories
Books
Electronics
Toys
DVD
Video Games
Music
Software
Computers
Cameras
Pets
Apparel
Baby
Beauty
Automotive
Health
Home & Garden
Jewelry
Kitchen
Magazines
Office Products
Outdoor Living
Sporting Goods
Tools & Hardware
Cell Phones
Gourmet Food
Grocery
Musical Instruments
VHS
MP3
Movie Downloads
US Flag
Related Categories
• Japanese
By Original Language
Art House & International
Genres
VHS
• Drama
Japan
By Country
Art House & International
Genres
• Classics
Japan
By Country
Art House & International
Genres
• Teen Drama
By Theme
Drama
Genres
VHS
• Urban Life
By Theme
Drama
Genres
VHS
• General AAS
Drama
Genres
VHS
Video
• Drama - General
General
Archives
Custom Stores
Specialty Stores
• Asian Cinema
New Yorker Films
Studio Specials
Custom Stores
Specialty Stores
• All New Yorker Titles
New Yorker Films
Studio Specials
Custom Stores
Specialty Stores

Cruel Story of Youth

Cruel Story of Youth
Director: Nagisa Oshima
Actors: Yusuke Kawazu, Miyuki Kuwano, Yoshiko Kuga, Fumio Watanabe, Shinji Tanaka
Studio: New Yorker Video

Buy New: $76.00



New (2) Used (9) from $9.56

Rating: 5.0 out of 5 stars 4 reviews
Sales Rank: 14746

Format: Color, Subtitled, Ntsc
Languages: English (Subtitled), Japanese (Original Language)
Rating: NR (Not Rated)
Media: VHS Tape
Number Of Items: 1
Running Time: 96 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1

ISBN: 6302498252
UPC: 717119419233
EAN: 9786302498257
ASIN: 6302498252

Theatrical Release Date: July 1961
Release Date: January 1, 1998
Availability: Usually ships in 1-2 business days
Condition: New; Shrinkwrapped; Ships with free delivery confirmation.

Similar Items:

  • Gojira / Godzilla Deluxe Collector's Edition (Gojira/Godzilla [1954] / Godzilla, King of the Monsters [1956])
  • Merry Christmas Mr. Lawrence
  • Nobody Knows
  • Tampopo
  • The Family Game

Customer Reviews:

5 out of 5 stars stark vivid potrayal of post-nuclear tension and despair.   March 9, 1999
14 out of 14 found this review helpful

A tale of post-nuclear tension in modern Japan set in the late fifties, Cruel Story of Youth, a rare film that successfully combines beautiful images and an intelligent provacative story of extortion, abortion, modern love and a society struggling to keep up with it all. Director Oshima uses color and sound unlike any other director I have seen. For being such an old film, the vivid juxtapostion of youth with loud rich color and distoted sounds still holds up far better than most films produced today. This contoversial tale about a pair of rebel teen lovers in post-war japan is akin to Rebel Wihout a Cause but with far more guts. This rarely seen film is a must see for anyone interested in great film making.


5 out of 5 stars The early Iron Men. Stark Youth   February 20, 1999
7 out of 8 found this review helpful

To live is no possible any more. The second film by Oshima, beautiful and untra violent, the film was made in 1960, the portrait of a lost generaton after the atomic bomb, none of the japanese film makers, even Tsukanoto, is able now to remake the immense terror into the atmosphere. One of the best movies of all times.


5 out of 5 stars Three generations of disillusionment   September 11, 2004
Zack Davisson (Seattle, WA, USA)
5 out of 6 found this review helpful

The title of this film is so completely fitting. It is indeed a "Cruel Story of Youth" ("Seishun Zankoku Monogatari.") It is often billed as Japan's "Rebel Without a Cause," and this can be seen on a superficial level, that of a good girl from a good family meeting a bad boy from the wrong side of the tracks. However, James Dean had the proverbial heart of gold, whereas Yusuke Kawazu is filled only with rage and disgust.

Director Nagisa Oshima brings the same hard honesty that he brought to his infamous films "In the Realm of the Senses" and "Merry Christmas, Mr. Lawrence." The setting is the first generation born to post-War Japan. The elder generation, crushed in spirit from the defeat, does not feel qualified or confident offering moral standards to this new generation. They don't understand each other, the youths having never experienced the hardships of the war. With no moral education, and lacking any sort of guidance from their parents, the children pass dangerously into teenage years, where their unfocused spirits are allowed to do real damage to themselves and others.

Three generations are on display: The Father, spiritless and powerless, he has nothing to offer his two daughters. Yuki, the eldest daughter grew up during the end of the War. She knows hardship, and watched the crushing of the ideals of the youth movement that flowered after the war. She discarded happiness, and wears the sting of an old, failed love affair that never happened. Makoto, the youngest daughter, has never known suffering or hunger, and is wild and uncontrolled, seeking someone to tell her "No," with increasing acts of desperation. Makoto meets Kiyoshi, a poor student who sleeps with old women for money, and a dangerous love affair explodes. Like true nihilists, Makoto and Kiyoshi do not love each other, but they depend on each other to increase the level of their own self-destruction. They make money by luring elder men into a tryst with Makoto, then Kiyoshi attacks them and steals their cash. He enjoys beating them up, and Makoto enjoys their lustful looks and disillusionment when Kiyoshi strikes.

This is no fantasy film, and all of life's harsh realities await Makoto and Kiyoshi, including prison, abortion and death. What could be exploitative or heavy-handed is instead honest and hard in Oshima's capable hands. This is no morality lesson or cautionary tale, just a window into a terrible vision of humanity. Depressing even for a Japanese film, "Cruel Story of Youth" is not something that you are going to watch twice, but it is definitely worth watching once.



4 out of 5 stars Fire in the Ashtray   May 27, 2008
Michael Ward (Athens, Georgia)
5 out of 6 found this review helpful

After releasing his debut film Street of Love and Hope in 1959, Oshima would be quick to release three films in quick succession in 1960: Cruel Story of Youth, Burial of the Sun, and Night and Fog in Japan. While such output might make one think that the end results of the films might be a bit shoddy due to the hastiness in their creation, in fact all three of the films are important films not only within the realms of Oshima's filmic work, but for Japanese new wave cinema as a whole.

Oshima began 1960 with a bang when Cruel Story of Youth was released. A genre film, fully embedded within the late 1950s, early 1960s tradition of youth films or Sun Tribe films made popular by directors Masamura Yasuzo and Nakahira Ko, Cruel Story of Youth goes beyond its formulaic groundings to be a film that has strong political underpinnings.

Cruel Story of Youth opens with its female protagonist Makoto, Mako for short, and her friend Yoko attempting to hitch a ride home with a middle-aged man. Things turn sour after Yoko is dropped off when the man tries to take Mako to a hotel. Not having that, the man attempts to use physical violence to get what he wants, but Mako is "saved" by a student named Kiyoshi. Mako feels indebted to Kiyoshi and even begins to feel affection for him, but instead of allowing their relationship to grow, Kiyoshi rapes her after a cruel scene in which submerged Mako is not allowed to get out of the water by Kiyoshi. Instead of not wanting anything to do with Kiyoshi again or reporting the rape to the police, Mako instead falls completely in love with Kiyoshi and soon stays out every night with him much to the chagrin of her elder sister Yuki and her spineless father. Her promiscuity and general attitude get her thrown out of the house, so she moves into the dump Kiyoshi lives in. However, with little money between them, they rely on extortion to support themselves, but how long can they exist in such a way?

One of the most interesting elements concerning Cruel Story of Youth is the offhand way the student movement is mentioned in the film. 1960 marks the year that the United States and Japan were to resign the Treaty of Mutual Cooperation and Security between the United States and Japan which would not only keep the U.S. military in Japan, but strengthen the Japanese Self Defense Forces. Many students were terrified of the remilitarization of Japan because of the destruction Japan had faced just a few years earlier and because they were worried that Japan would be nothing more than a pawn in America's aggression towards the Soviet Union and mainland China. Through protest they hoped they could make a difference and often looked to South Korea as an example of how protest could truly change things, the removal of Yi Seungman, which Oshima supports by having actual South Korean news footage in the film. However, Mako and Kiyoshi care not for revolution, but instead care for sex and money. Oshima is not criticizing this vapidity, because he too had been part of the student movement in the early 1950s which accomplished little of what it set out to do, so he was bitter like Yoko and her doctor friend. He instead sees it as the sad state of modern Japan where the government and conservative ideals quash hopes of real change.





We'll be adding even more exciting features to assist you in the coming year.
Thank you for shopping at the Depot.com online shopping depot.

©2008 Depot.com