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Place Without Limits

Place Without Limits
Director: Arturo Ripstein
Actors: Roberto Cobo, Lucha Villa, Ana Martin, Gonzalo Vega, Julian Pastor
Studio: World Artists

List Price: $29.95
Buy Used: $4.95
You Save: $25.00 (83%)



Used (4) Collectible (1) from $4.95

Rating: 4.5 out of 5 stars 7 reviews
Sales Rank: 62053

Format: Color, Dubbed, Subtitled, Ntsc
Languages: Spanish (Original Language), English (Dubbed)
Rating: Unrated
Media: VHS Tape
Number Of Items: 1
Running Time: 110 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1

ISBN: 6304466323
UPC: 723339111734
EAN: 9786304466322
ASIN: 6304466323

Theatrical Release Date: 1977
Release Date: April 10, 2001
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Ex-rental in original box. Moderate wear to box; otherwise, in excellent condition. Ships same/next business day.

Editorial Reviews:

Description
An exploration of homophobia and machismo in Latin America through the bittersweet story of La Manuela, a transvestite who lives in a brothel run by his daughter. Wearing his favorite red flamenco dress, La Manuela steps in to defend his daughter's honor when she is threatened by a macho truck driver...


Customer Reviews:   Read 2 more reviews...

4 out of 5 stars A great treasure marred by low-budget constraints   July 31, 2005
L. S. Slaughter (Chapel Hill, NC)
3 out of 4 found this review helpful

Any fan of arthouse Mexican films or the deeper of the gay-themed genre must own this just for Robert Cobo's great portrait of La Manuela, a down-and-out transvestite in rural Mexico putting up with machismo and hypocripsy in Latin culture. It's a brutal film, at turns touching, always incisive. Man, films have gotten increasingly stupid and shallow since this gem appeared. One can also learn about the life and conditions of rural Mexico -- they're tough, in case you haven't been there. Now try being a drag queen with a daughter and a bunch of horny, frustrated machos making your life worse. As a reviewer herein notes, the film is fair: it makes known that it's the social forces that repress and steer people into violence. The treatment of all characters is fair.
See this oddball, brave flick.



4 out of 5 stars Rated #9 Mexican film Ever by Magazine SOMOS in 1994   July 31, 2004
ixta_coyotl (Seattle, WA)
6 out of 7 found this review helpful

Arturo Ripstein Rosen is a Jewish Mexican director of some repute abroad. His closest American comparison would probably be Woody Allen. He is a favorite of the arthouse crowd at Cannes and elsewhere. Ripstein has made a career out of directing small films which are consumed locally and exported primarily to Europe. El Lugar Sin Limites (1978) is widely considered to be his most classic work.

I admit I put off watching this film for some time, and only watched it as "homework". I am more of an epic/biography fan. Given that, I was pleasantly surprised by El Lugar Sin Limites. It's certainly an "art" movie, but it moves along quite well enough thru its 110 minute run time. It also has a lot of familiar faces to anyone who has watched much Mexican TV or films, bridging actors from la epoca dorada with current televisa regulars. In the lead, Roberto Cobo gives an excellent performance. You'll remember him as the boy lover from Bunuel's Los Olvidados (1950). He also appeared in Cabeza de Vaca as Loyoza (1991). Carmen Salinas, the Jerry Springer of Mexican TV, gives a good performance as a pudgy prostitute. Remarkably, she looks almost the same age in 1978 as she does now (born in 1933). The actors who portray La Japonesita, Pancho, & Octavio are all regular novela players now. And Fernando Soler as Don Alejo was one of four brothers who were in many Mexican epoca dorada films. Probably the best part of El Lugar Sin Limites is its poignancy: it's a biting critique of the hypocrisy of rural Mexican machismo culture. In that sense it's a nice companion piece to its contemporaneous Mexican classic Canoa (1975). The film's closing scenes pay a kind of homage to the epoca dorada style not unlike the retro noir tribute of Polanski's Chinatown a few years prior. But its frank dealing with homosexuality is decades ahead of its time; consider that Hollywood didn't really deal with homosexual topics in force until Philadelphia (1993) or Boys Don't Cry (1999), and neither of those films offered a full powered man-on-man kiss like this!

My recommendation: for fans of Mexican or gay cinema, this is certainly a must own; for others, if you have an interest in expanding your horizons you could do a lot worse than this film. Regarding the DVD: the image quality is OK but it would have been nice if it had optional subtitles and in Spanish as well. No extras but still a great pick up at this reasonable price.





5 out of 5 stars Excellent Mexican Movie.....and Funny!   May 13, 2004
3 out of 3 found this review helpful

This is one of the pionner mexican movies that talk openly about gay and machismo in latin Amercian. "La Manuela" is a great character and the whole store revolves around her. This one of the few movies that has really caputer most of the gay characteristics. I really recommend it. You will love it!


3 out of 5 stars 'FLAMING FLAMENCO FRACAS'   July 16, 2001
12 out of 14 found this review helpful

ROBERTO COBO [a striking resemblance to the late Jean Louis Barrault] brings much sympathy to this role of Transvestite/prostitute Manuel/Manuela, owner of one of those seedy little brothels housed in a 'touch of evil' town, somewhere south of the border....

His daughter, Ana Martin [no heart of gold there, an earthy performance], fathered during a moment of confusion, has followed in her father's steps [the prostitute bit], and is now terrorised by the return of Pancho, a macho truck driver [a lost Steinbeck character, they are all quite close to their American cousins ["East of Eden" country]give or take a few changes]. During the course of events, we learn that the village is about to be sold by the ruthless landlord [owner?], Manuel's daughter still has "something" to resolve with Pancho, which may be dangerous, SO Manuel/Manuela intervenes, dons the red dress, previously ripped by the same Pancho, and somewhat reluctantly decides to follow this fandango of fate ........

Gonzalo Vega is perhaps too attractive as Pancho, but he does bring great sensitivity and sympathy to this confused character, AND HE does cry! There is room for a sequel, and there should be - male mistique being what it is.....

Arturo Ripstein's vision is straight-forward, no frills, simple and effective. Grand use of color, the red truck, red flamenco dress, etc. Good DVD transfer, sub-titles are clear, the sound, not surround though, is good - especially Ripstein's choice of scratchy music. Great opening sequence with the red truck blazing appropriate music - an Orpheus returning to a somewhat soiled Euridice in the Underworld.

No, it's not "La Cage Aux Folles" or "Victor/Victoria" it's closer to Fellini's early gritty work, not Genet [we are spared that degree of realism, this version is really quite PG] it's closer to "Torch Song Trilogy".

Other companion pieces of despair? Try Almodovar's "Law of Desire".


5 out of 5 stars transvestites can't have children   June 23, 2000
david england (london,england)
1 out of 62 found this review helpful

transvestites are impotent(with women) so they can't impregnate a woman to have children.


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