Summer Wishes Winter Dreams | 
| Director: Gilbert Cates
Actors: Joanne Woodward, Martin Balsam, Sylvia Sidney, Tresa Hughes, Dori Brenner
Studio: Sony Pictures
List Price: $14.95
Buy Used: $6.25
You Save: $8.70 (58%)
Used (9) Collectible (3) from $6.25
Rating:  1 reviews
Sales Rank: 87
Format: Color, Hifi Sound, Ntsc
Languages: English (Original Language), French (Original Language)
Rating: PG (Parental Guidance Suggested)
Media: VHS Tape
Number Of Items: 1
Running Time: 87 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1
ISBN: 6302970296
UPC: 043396605473
EAN: 9786302970296
ASIN: 6302970296
Theatrical Release Date: 1973
Release Date: July 11, 1995
Availability: Usually ships in 1-2 business days
Condition: USED BUT PLAYS GREAT IN A GOOD CLEAN BOX
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| Customer Reviews:
Tripe flavoured with good acting July 2, 2000
4 out of 6 found this review helpful
Rita, the "snow queen" is another of Joanne Woodward's aging spinster virgin frumps, that she seemed to specialise in the early 1970's. Depressed and discontent, her mental state is symbolised by the nightmare plane crash that director Gilbert Cates opens the film with. Writer Stewart Stern - who also wrote Rachel, Rachel - loads on the psycho-baggage. She has a demanding mother (Sylvia Sydney), a fat daughter (Doris Brenner), a gay son, and has married a man she did not love (Martin Balsam). All this would be unbearable with anyone but Woodward playing the role since she lightens it with her natural intelligence and sly sense of humour. It's amusing to see Balsam and Woodward argue in their middle-class educated way, though Rita's wearing a mink clues you that she isn't about to scream abuse. Balsam's subtlety, in particular makes you regret his few screen appearances. The only character that isn't redeemed by the acting is that of the gay son, since he is a cypher, and Cates presents his coming out in a homophobic black-and-white expressionistic sequence. Cates is fond of these kind of theatrical flourishes. There is a death at a screening of Wild Strawberries, a spirited chase at a former European battlefield, a family bickering at a graveyard, and Rita has a breakdown in a crowded London subway, which is probably the most believable of them all. Johnny Mandel provides a lovely theme, in his understated way, and then embarasses himself with trumpets in the battlefield sequence.
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