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Maurice

Maurice
Director: James Ivory
Actors: James Wilby, Rupert Graves, Hugh Grant, Denholm Elliott, Simon Callow
Studio: Evergreen Ent

List Price: $14.98
Buy New: $7.95
You Save: $7.03 (47%)



New (7) Used (8) Collectible (3) from $6.00

Rating: 5.0 out of 5 stars 106 reviews
Sales Rank: 16409

Format: Color, Ntsc
Language: English (Original Language)
Rating: R (Restricted)
Media: VHS Tape
Number Of Items: 1
Running Time: 140 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1

ISBN: 6304341849
UPC: 707729651338
EAN: 9786304341841
ASIN: 6304341849

Theatrical Release Date: September 18, 1987
Release Date: March 25, 1997
Availability: Usually ships in 1-2 business days

Customer Reviews:
Showing reviews 6-10 of 106



5 out of 5 stars Obsessed!   July 4, 2004
anna-joelle (Malaysia)
28 out of 30 found this review helpful

I mean ME - I am obsessed with this film! I have fallen in love with beautiful Cambridge (so masculine and steeped in tradition), with the romantic Edwardian era, with the beauty of the story and especially with Maurice, the title character. Beware... if you're "susceptible" to romantic movies and is a highly sensitive person, chances are this movie will "get" to you in ways I can't fully describe. It doesn't matter if you are [...] or straight - against your will, scenes and images from the film will replay in you mind, stay in your heart and affect your mood and feelings (for days, in my case - which is not a good thing because I have a major examination coming up and half my mind is still on "Maurice"!). At times, I wished I was born male like the characters, and have the privilege of a Cambridge education... pure wishful thinking (though I've a girl friend who got into Cambridge on a scholarship, to my eternal envy really).

This film is a faithful adaptation of E.M. Forster's novel and brilliantly brought to life by the winning team of Merchant Ivory. The stellar cast comprises James Wilby, Hugh Grant and Rupert Graves; all 3 share great screen chemistry and there is no doubt that the actors gave it their "all" for this film.

This is the story about one man's journey of self discovery on his sexuality and having to live with the prejudices of the times including class distinction (which balks at intimacy with a social inferior, in this case Maurice's desire for Alec). Many reviews have already been written about the story so I would just like to share some of my thoughts and observations of the film:

1) the DVD (R1, released Feb 2004) is beautifully packaged and is chockful of special features including more than 10 deleted scenes, one of which is a most sensual scene involving Maurice and Alec (an "extended" scene of their first night together). The production notes/booklet also provides a treasure of information on the film.

2) James Wilby plays "Maurice" most beautifully and sensitively. He is imperfectly handsome but is still very attractive-looking. The thing that strikes me most about Wilby's "Maurice" is that he has the MOST beautiful hair color - it's practically "golden" - not the usual blonde. The color contracts nicely with the black suit he usually wears. In the novel, Maurice has dark hair, but I think a golden-haired Maurice is just perfect - a great contrast too to Clive's and Alec's dark locks!!

3) Clive (Hugh Grant) is a year older than Maurice. When they get together, Maurice is about 21. By the time they break off, Maurice is nearing 24. Nothing is mentioned in the book/movie about Alec (Rupert Graves)'s age - but I gather he is the youngest of the three (although most certainly the lustiest!!).

4) Maurice's character is passionate, loving, vulnerable and super-loyal. If Clive had not rejected him, Maurice would have been "his for life". What's with Clive anyway? He's got this idea that a relationship between 2 men should be strictly platonic - no kisses or caresses, even. (If I'm Clive, I don't think I'll be able to keep my hands off Maurice!). Thank goodness for the appearance of Alec later on, who is Clive's very opposite!

5) In the story, Maurice is horrified by his lust for and intimacy with Alec, who is only a servant. But one reason they are perfect for each other is because (in E.M. Forster's words): "chance had mated it (i.e. Maurice's body) too perfectly". The 2 characters' growing feelings for each other are a joy to watch.

6) For those who question the ending i.e. whether it is even possible for Maurice and Alec to stay together what with all the difficulties surrounding them, well, let me write that Forster intended the ending to be a happy one (and who would know better than the author himself?). In the "Terminal Note" at the end of his novel, Forster wrote: "A happy ending is imperative. I shouldn't have bothered to write otherwise. I was determined that in fiction anyway two men should fall in love and remain in it for the ever and ever that fiction allows, and in this sense Maurice and Alec still roam the greenwood..." Super, isn't it?

I don't want to forget this beautiful movie, and I can't forget it anyway. It is quite simply the most touching film I've ever seen. It deserved an armful of Oscar awards especially a Best Actor nod for Wilby (although in reality the film didn't do that well, receiving only Best Art Direction and Best Costume nominations). I've seen most of Merchant Ivory productions and "Maurice" is hands-down, the BEST. Don't miss it!



5 out of 5 stars A real winner   October 21, 1999
27 out of 27 found this review helpful

"Maurice" is not so much a film about being gay as it is a testimony to the importance of integrity and the courage of conviction. In an age and a society where acceptability and prominence reigned supreme, Maurice Hall choose love and happiness rather than banality and conformity; an utterly brave act considering what he risked losing in doing so. Beautiful and evocative throughout, with every scene resplendent and atmospheric, brimming with the essence of the age. The scenes in Cambridge were especially beautiful with the gothic architecture adding to the underlying, brooding sense of the film. James Wilby, Hugh Grant and Rupert Graves were equally marvelous in their respective roles, as was Denholm Elliot in his smaller, yet vital role. Merchant Ivory's made some extraordinary films in their day but "Maurice" is, in this viewer's opinion, their greatest film. In lesser hand's "Maurice" could have been relegated into cliched obscurity. Their pace, sense of time and place and deep commitment to E.M. Forster's vision raise this great story to new and lofty heights.


5 out of 5 stars Forster would have approved!   November 21, 2001
D. MCGOVERN (New Zealand)
26 out of 26 found this review helpful

This is the one of the most faithful novel-to-film adaptations that I have seen. American director James Ivory has a wonderfully British sensibility, and the movie vividly recreates late Edwardian England in muted autumnal colours. In particular, it gives the 21st century viewer a very real appreciation of what it must have been like to be gay in such a society.

The cast is uniformly excellent. James Wilby was not Ivory's first choice for the central role of upper-class Maurice (Daniel Day Lewis and Julian Sands were earlier contenders), but he gives an outstanding and totally plausible portrayal. Equally good is Hugh Grant, years before he found fame as the archetypal British twit. Grant's role is a difficult one; he must at first engage our sympathy and fondness, then gradually lose our respect as he seeks to enter "respectable" society. Ultimately, we come to despise his cowardice. Grant achieves all of this without descending into caricature - a considerable feat.

Rupert Graves makes a fine Alex Scudder, the lusty undergamekeeper who seduces and transforms Maurice. Apart from a slightly inconsistent accent, he, too. seems entirely plausible and fans of DH Lawrence's Lady Chatterley's Lover should note that this full-blooded lad pre-dates Lawrence's own gamekeeper by many years!

An outstanding supporting cast of seasoned pros includes the late, great Denholm Elliot and Ben Kingsley in small, but pivotal roles as, respectively, a bullying doctor and a hypnotist, both of whom Maurice unsuccessfully seeks help from.

This movie has a superb period atmosphere, a leisurely but rewarding pace, plenty of understated passion, memorable music and great script-writing. Kudos to the scenarists for being so faithful to the spirit of Forster, while at the same time adding scenes to remind viewers of the real dangers for gay men in Edwardian England.

Outstanding.


5 out of 5 stars Beautiful Thing.   May 1, 2002
F. Gentile (Lake Worth, Florida, United States)
23 out of 25 found this review helpful

A wonderful movie.You don't have to be gay to enjoy this film, but it helps. This post-Victorian era gay coming -of- age love story (whew!), is beautifully told and filmed, in the Merchant-Ivory tradition. James Wilby, and Hugh Grant, before he was Hugh Grant, are very touching as Maurice and Clive, as they discover "the love that dare not speak it's name". No matter your persuasion, you can't fail to be moved by their predicament in that repressed time where one could still be (and often was) jailed for homosexuality. As sometimes in real life, it is a heartbreakingly told story about the decisions sometimes forced upon us, and the ramifications and resignations of not being true to ones self, because of familial or social restrictions as to what is "normal" behavior. These charactars, especially Wilby's impeccably portrayed Maurice(pronounced "Morris"), are good, decent people, who are suffering because they cannot be who they simply are. Without giving away the ending, it is an ultimately up-lifting story about the extreme courage it sometimes takes , then as now, to be true to ones self, and, finding your dignity, in the face of a segment of society that often insists you deserve none. All of the actors, most of whom are unknown to general audiences, are wonderful, in that underplayed, classy English way, making the smallest part integral to the story. A beautiful adaptation of the E.M. Forster novel, and a wonderful love story, with various lessons for all.


5 out of 5 stars A film that literally changed my life   January 28, 2000
Adrian (Ljubljana, Slovenia, Europe)
21 out of 21 found this review helpful

My story is much similar to that of Mark from San Diego. It was "Maurice" that was the reason for me to become aware of the fact how the power of motion picture is above every limit. Back in 1991, when I was an university student, I suffered from the total identification crisis, spending long sleepless nights dealing with the suicidal thoughts and the question who and what am I... like Maurice, who found himself trapped in his own gayness, trying to find the answer on that eternal question: why me! I had terrible doubts in accepting myself as one of "them", just the thought of admiting my own homosexuality frightened me to death. Then, suddenly, like a gift from heaven, this film was shown on TV on a cold, january evening. After those two hours of watching it, I realised my life will never be the same again. "Maurice" threw me into a whirl of feelings, but in a way, I felt reliefed. No more pretending. Today, ten years after, I am proud to be gay, living with my friend and all those uncertainties, surmises and questions remained on the pages of my diary...

I have "Maurice" on tape and watch it every now and then. It still has a strong effect on me, even I know every dialogue in it by heart. I watched another ecranisations like "A room with a view" and "Howard's end", but the both acts of James Wilby and Hugh Grant are so persuadive here that this is almost an paradox, having in mind that Grant is a straight male-sex symbol. The word that comes to my mind first when mentioning "Maurice", is beautifulness. Maybe this was the reason it affected me in that way - homosexual love is presented as something beautiful, romantic, non-stereotypic, longing and truthfull. Another subject, strongly presented here, is sacrifice of Maurice, who subordinated all his career and needs just to be with a love he met in Alec Scudder. The end of the film is not a real end but just a beginning of viewer's interpretation and his explaining of question whether their love has made it through. It is left for him to decide what happened after. I'd point out that "Maurice", even acting like some kind of a fairy tale, represents all types of man approaching his own homosexuality and this hasn't changed a bit over the history. Clive's tightness into straight-acting world and common-sense lifestyle is just another sight of those gays who rather choose to get married and therefore ruin the life of another woman who, in this kind of relationship, can't be nothing but victim, trying to hide from the rest of the world, but as for Clive, this turns out to be just a short-termed solution. I have a strong sense that at the final scenes when Clive replays all his tender moments with Maurice when they were together at Cambridge, he is thinking: you can fool with the rest of the world, but you just can't fool yourself. Then, Maurice, who decided to live the way that will make him happy, no matter what the British Class system might think - it is a step someone can take now a days, prepared to struggle and fight with a confinement and intolerance of the straight-majority. It is true that being gay is no more being considered as an illness or blasphemy, but things haven't changed that much as they seemed to.

If you like "Maurice", then you're going to like the book, too. I suggest you read it. It is one of the best descriptions on gay love I've ever read, especially when you have in mind this novel was written in 1910 when noone even dared to think about writing and mention this theme in a literature. I only feel sorry that this review is limited to 1,000 of words, as here is so much more to tell about... A great movie!


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