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| Director: Todd Haynes Actors: Ewan Mcgregor, Jonathan Rhys Meyers, Christian Bale, Toni Collette, Eddie Izzard Studio: Walt Disney Video
List Price: $9.99 Buy Used: $0.94 You Save: $9.05 (91%)
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Rating: 268 reviews Sales Rank: 17701
Format: Closed-captioned, Color, Ntsc Rating: R (Restricted) Media: VHS Tape Number Of Items: 1 Running Time: 124 Minutes Shipping Weight (lbs): 0.4 Dimensions (in): 7.3 x 4.2 x 1.1
ISBN: 078881415X UPC: 786936091595 EAN: 9780788814150 ASIN: B00000IBLN
Theatrical Release Date: November 6, 1998 Release Date: April 4, 2000 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: Brand New Used VHS may not have original jacket cover Used items may have grease marker or sticker on cover. Satisfaction guaranteed on all purchases. ** Possible marking on cover. 100% Satisfaction guaranteed on all purchases.
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Showing reviews 6-10 of 268
Eye full of Ewan, Thank You Very Much Mr. BBC-Man! June 18, 2001 azindn (Arizona, USA) 12 out of 13 found this review helpful
The 70s glam rock movement in the UK hearalded an openly gay glitter lifestyle that rocked staid Brits. Todd Haynes ode to the era of glam is not a biopic of David Bowie and Iggy Pop. Instead, its the fictional story of Brian Slade (Johnathan Rhys-Meyers) and Curt Wild (Ewan McGregor) who prance and vamp through hoards of groupies, hangers on, and entourages of press leaving devistation everywhere. Pretentious with attitude and posing de regeur for the era, these characters wallow in their shallowness. Visual kudos for great eyemakeup for men and spandex for all. Sandy Powells outstanding designs were nominated for an Oscar for costumes. Ewan McGregor's randy performance au natural singing "T.V. Eye" is hot and one could easily see him turning from acting to a singing career. Toni Collette, so heartwarming in Muriel's Wedding, is a sour, left in the dust wife, her ambition and desire for the limelight went only as far as her husband's need for a convenient beard. In the role of the singer's agent, Eddie Izzard, the fabulous executive transvestite comedian plays a straight in the film. This ode to sex, drugs, and platform shoes has several outstanding performances including Christian Bale as the reporter who investigates the WEHT faded rocker. Goldmine is at times wistful yet never goes overboard. It is believeable in its outlandish camp. The video or DVD is worth owning. I have both and the PAL-video special edition which contains minimal differences from the US and British released theatrical versions. Reminder: to be played at maximum volume.
OK film, but (contrary to popular belief) COMPLETE FICTION! January 21, 2003 H. Powell (Reynoldsburg, Ohio USA) 11 out of 27 found this review helpful
Oh, the Glam Rock era...a magical time in the early 70s when a bunch of ambitious heterosexual rockers wore make up, feather boas, and women's clothes and made a sh*tload of money by milking a gimmick and convincing the world that they were gay. The overly nostalgic producers of this film bought into the fantasy and gave us this entertaining little rock n' roll fairy tale... The soundtrack for this movie is incredible (featuring songs by Brian Eno, Gary Glitter, Lou Reed, and other classic acts that produced many more great tunes OTHER THAN the typical glam staples you hear on American FM radio...so you get to hear something besides "All the Young Dudes", "Rock n' Roll Part 2", "Walk on the Wild Side", and "Bang a Gong"). Even the original songs written for the movie are good in a pseudo-Bowie kind of way...that Brian Slade (Jonathan Rhys Meyers) can REALLY sing, as can Kurt Wild (Ewan McGregor). But, you know, some REAL Bowie songs would have been nice! OK, back to the film! The acting is good without exception, with the strongest performances given by McGregor as the Iggy Pop inspired Kurt Wild and comedian Eddie Izzard as Brian "Maxwell Demon" Slade's sleazy manager. However, a sloppy plot involving Slade's faked murder (as a publicity stunt), a love affair between Wild and Slade (based upon unfounded legends surrounding Bowie's flings with Iggy in Germany in the late 70s), and a journalist's (played by Christian Bale) quest to solve the "mystery" of Slade's disappearence ten years after the fact collectively serve to really screw things up! On top of all this, it is revealed that the journalist once had a fling of his own as a glam-crazed male groupy with Wild. The film flashes back and forth from the 70s, 80s, and 60s SO MANY TIMES that you'll be saying to your self "WHAT THE HELL?" Finally, our writer protagonist figures out that straight-laced 80s pop icon Tommy Jones (a fan of the conservative "President Reynolds") is actually Brian Slade in disguise...hey, don't blame me, I didn't write this stuff! I took the whole Tommy Jones thing as a jab at Bowie for "selling out" :) But the subplots don't end there! There's more! The film actually begins in the 1850s when aliens leave Oscar Wilde on his (adoptive?) parents' doorstep with a mysterious emerald brooch that is discovered 100 years later on a school playground by a closet homo named Jack Fairy that has just had the bejesus beat out of him by his school mates. Well, Jack grows up to be an underground, cross dressing, avant garde icon and Brian Slade ends up with the "magical" brooch...which he in turn passes on to American shock rocker Kurt Wild, who in turn passes it on to our journalist hero in the 80s right before he discovers that Tommy is indeed Brian...well, I suppose the message here is that you have to be gay in order to be creative and inspired (hey, Michael Stipe was an executive producer, so you KNOW that a lot of wishful thinking is going on!). In short: the music and acting are so good that the stupid story and crummy plot are almost forgiveable! Worth a viewing, but don't expect any kind of historical accuracy.
really quite paradise... March 15, 2000 L. Alper (Englewood CO) 10 out of 12 found this review helpful
Glitter rock was a short-lived phenomenon that still reverberates in music. Where would punk have been without ripping off glitter's hairstyles & nihilist attitude? Where would radio have been if glam hadn't killed off the bloated art-rock symphonies of the late 60's? And where would every rock band in the 70's thru 80's have been without the satin, flash, theatrics & drugs that came with glitter... Yes, boys and girls, you too can relive those thrilling days of 1972 when you watch "Velvet Goldmine". Anyone who has read Angie Bowie's book "Backstage Passes" will recognise many of the characters and situations depicted here. Obviously Brian Slade is meant to be David Bowie; altho Ewan MacGregor's character of Curt Wilde is a composite of Iggy Pop & Lou Reed, it seems as if he's channeling the spirit of Kurt Cobain (his performance will send chills down your spine). Overlooked by most reviewers is the character of Jack Fairy who is based on Brian Eno, & who, just as in "reality" is backstage creating the fantasia. Of course Toni Collette (Mandy Slade/ Angie Bowie) delivers another knockout performance as does Christian Bale as Arthur. And don't miss the boys who play the band Propaganda & give Arthur a room-great band! The music is fab, the clothes are outrageous, the in-jokes are there for both movie buffs (Todd Haynes does a self-referential bit that only those familiar with his early work will get) & music fans (the original drummer for Iggy's Stooges plays the drummer for the Wilde Ratz), really I only have one quibble with this movie... I think there should be more than 10 years elapsed between the flashbacks & Arthur's reality. Personally, I feel the sense of loss & nostalgia would have worked better with a gap of 25 years, but watch it for yourself & see if you agree. "Velvet Goldmine" is really quite paradise for those who were there or for those who wish they had been...
And this movie meant what, again? April 22, 2002 10 out of 19 found this review helpful
Yes, I picked this movie up because I wanted to see Ewan McGregor. But I had vague recollections of it being a decent movie on its own terms, and it did win an Oscar for costume design, I believe. So I put it in the VCR with high hopes for 2 hr.+ of a very cute Mr. McGregor in a sexy glam rock/David Bowie getup and lots of great music.Whoops. For a brilliantly costumed movie about one of the most exciting periods in pop music history as well as three of the most attractive men on the planet (McGregor, Christian Bale, and the terrifyingly beautiful Jonathan Rhys-Meyers), this has got to be one of the most boring tales ever told about sex, drugs, and rock 'n roll. Even Toni Collette couldn't lift this heavyhanded, massively tedious allegory out of the doldrums. What might have been bearable at 90 mins drags on for a seemingly infinite 127 minutes. The color was all washed out for some reason, and the makeup, which was supposed to be fun, was just distracting. The connections with Oscar Wilde and Kurt Cobain went over my head, but I wasn't interested enough to watch it again and try to figure it out. ... If you want to relive the 70s better just to put Ziggy Stardust and the Spiders from Mars on the turntable, dress up in Lycra and draw zigzags on your face with lipstick. You'll have a lot more fun than I did watching this tape. The one star is because you do get to see Ewan nekkid, and like I said, Bale and Meyers are lovely to look at.
GLITTER THAT MAKES YOUR MOUTH WATER August 23, 2004 Di (United States) 10 out of 11 found this review helpful
Set in London in the early `70s during the start of the Glam Rock scene is Brian Slade, talented rock star with no fans. Brian seeks fame with his American wife Mandy and together they struggle to find it until Brain meets Curt Wild. Brian meets Curt Wild, a fellow rocker, and together they set out to change the world along. Meanwhile, a teenage boy, Arthur Staurt, idolizes and finds comfort through is own homosexuality though Brian and Curt. But at the peek of Brain's career, he fakes his own death and is lost in the dust. Ten years later, an adult Arthur, who is a journalist for the Herald, is told to unfold the mystery behind Brain Slade's disappearance. The acting and cast is done amazingly. Jonathan Rhys Meyers, who plays Brian Slade, is absolutely perfect for his sweet but nasty rock star role. His baby doll face and luscious lips shift from a delicate kiss to an intense freak out scene with swift ease. Toni Collette, who plays Brian's wife Mandy, starts off as a gullible party girl, to a scandalous head case, and finally to a cynical survivor. Ewan McGregor's character Curt Wild is a mix of Iggy Pop and Kurt Cobain smashed into one sweet, lovable, tantrum throwing, heroin addicted rock star. McGregor brings to his character what Johnny Deep brings to Captain Jack Sparrow in "Pirates of the Caribbean: The Curse of the Black Pearl." Both are original and leave a huge impression on the audience. Christian Bale, who plays Arthur Staurt, does a great job for his coy and mysterious character. You have to give him mucho credit because for the one uncomfortable intimate scene with himself he had to do, in which he gets caught by his parents. It's an intense scene that makes you really feel for his character and what a struggle his life is. And for you diehard Placebo fans, yes that is right, they are in this film. They do not have a huge acting roll, but you can see them sing two songs and say a couple of lines. For you crazy Molko lovers out there who just want to see his face and hear him speak, don't expect to see too much of the sexy Placebo singer, but there is enough for you to have a taste. (Mind you it's a very small taste.) It is no surprise that "Velvet Goldmine" was nominated at the 1998 Academy Awards for best costume design. From the screaming colors, platform shoes, love beads, and male belly shirts the teenagers wear, to the sequenced glitter tops, tight leather pants, fluffy boas, and beautiful black nail varnish the rock stars sport, "Velvet Goldmine" does not cut the audience sort when it comes to fashion eye candy. And let me tell you it is a real treat. Brain's alter ego, Maxwell Demon (which freakishly resembles the whole Ziggy Stardust thing David Bowie had going on) has a beautiful costume that consists of blue body paint, black eyeliner, glitter dust, and dazzling body jewels and sequences. If the audience has not experienced glitter rock, he or she will with just the costumes alone. Although the Glam craze was dressed up like a beauty pageant, the music was still the most important piece to the glistening puzzle. All the music is `70s Glam inspired. This flick has a lot of original Glam songs from the likes of Iggy Pop, Brian Eno, and T-Rex. The renditions of songs such as "T.V. Eye," "Baby's on Fire," and "20th Century Boy" are done in an original manor, but also keep their natural flare. As I said before, Placebo is featured in the film as The Flaming Tongues and goes a great rendition of "20th Century Boy." Not only does Brian Molko from Placebo has a great voice, but so does Jonathan Rhys Meyers and Ewan McGregor. Their voices range from a distraught scream, to a jazzy bounce, and finally to a sweet ballad. The music in this film is not to missed. I highly suggest the soundtrack to this film. It's very very good. All right, here comes where the critics come in. Most critics did not like this film, which is a shame because I think it's a beautiful film. I think one of the main reasons they didn't like it was because the story line is pretty hard to follow at first. It's cut into pieces and does not go in a linear pattern. If you're up for that, I suggest you watch the movie and don't freak out if you don't get it at first. Then after thinking about it watch it a second time and I guarantee you'll see it much differently and you'll actually get it. Another nonsupporter of this film is surprisingly enough Mr. David Bowie. This could have to do with the anti-Bowie slant of the film or as he said something about how it didn't feel like the whole `70s Glam craze. He said it felt like the early `80s or something of that effect. Sure, he's probably right because he was there, but if you don't view the film on being some historical masterpiece, and appreciate it for it's beautiful story, I think you'll like it. It's a fairy tale with a setting. Bowie did say he did like the way the director showed the beautiful love story between Brian and Curt. And I have to agree, the director did an amazing job. You can really feel what he was trying to say with it. "Velvet Goldmine" is arguably one of the most original, jaw dropping, charming films to date. It is a film for mature audiences because of the language, drugs, sexuality, and uh Ewan's "saber." "Velvet Goldmine" is recommended to anyone who liked the movie "Gia," likes to piece things together, has an open mind, has patients, has a taste for delicious music, and has a soft spot for hunks in drag.
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