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| Director: Daniel Mann
Actors: Marlon Brando, Glenn Ford, Machiko Kyo, Eddie Albert, Paul Ford
Studio: MGM (Warner)
List Price: $19.98
Buy Used: $7.88
You Save: $12.10 (61%)
New (2) Used (24) Collectible (4) from $7.88
Rating:  19 reviews
Sales Rank: 4558
Format: Closed-captioned, Color, Hifi Sound, Ntsc
Language: English (Original Language)
Rating: NR (Not Rated)
Media: VHS Tape
Number Of Items: 1
Running Time: 124 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1
ISBN: 6301978633
UPC: 027616066534
EAN: 9786301978637
ASIN: 6301978633
Theatrical Release Date: December 1956
Release Date: September 1, 1998
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Used VHS may not have original jacket cover Used items may have grease marker or sticker on cover. Satisfaction guaranteed on all purchases. ** Possible marking on cover. 100% Satisfaction guaranteed on all purchases.
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| Customer Reviews:
 The Teahouse of the August Moon March 2, 2001
Michael O. Brown (Phoenix, AZ)
10 out of 12 found this review helpful
Teahouse is an exceptionally good comedy, especially looking at all the horrible tripe put out the last 20 years as "comedy". Marlon Brando is a scream in this movie and you are hooked in the first 30 seconds. Unfortunately, the VHS version is a P & S version and the movie suffers greatly. But there is an alternative! The widescreen version is 'available'. Turner Classic Movies shows this movie about twice a year in the letterbox format.
 Fabulous Film December 18, 2003
T. Wahl (Stationed Overseas with USAF)
8 out of 9 found this review helpful
We just spent 4 years in Okinawa and it is a paradise on earth. The people are what make the island a great place to be. This film presents the wonderful aspects of the island and is hilarious in showing how the US Army tries to run the island after the war and the travails of one Capt. who tries to build what the Okinawans actually want. The author of the book (which is also excellent, and is different enough from the movie to warrant its purchase) was stationed on Okinawa and the story reflects an awareness of the island and the actions of the Army. This is a great movie that can be watched over and over. The movie is especially relevant given what is going on currently in Iraq - it makes you wonder if there will be similar stories from our building up of Iraq.
i loved it! July 1, 2004
8 out of 9 found this review helpful
As someone who was in a production of "Teahouse of the August Moon", I loved this movie. Most directors do not suggest watching a movie of the play before starting rehearsal because most movies are worse than their plays. However, our director showed the film at one of our rehearsals and it gave a place to aspire to go. I recommend anyone to see this film and have fun with the subtle comedy and life lessons.
Okinawa Forever December 28, 2004
Gary Fitzgibbon (Santa Cruz,CA USA)
8 out of 9 found this review helpful
A timeless comedy/drama filmed on Okinawa with a cast of local extras who had only recently survived a battle of overwhelming devastation. Okinawan culture and philosophy rules the day,and a witty,insightful script plays to the foibles of military culture.Great music,dance and poignant romance. Standout performances from this ensemble cast,but look for that hidden gem in the role of Lotus Blossom;Machoko Kyo of Kurosawa's 'Rashomon'.
Cute and Subversive April 13, 2006
Grinalltheway
8 out of 9 found this review helpful
I've known that there was a film with the title "The Teahouse of the August Moon" for years but never had any interest in viewing it. I probably had it confused with "Sayonara", Marlon Brando's other post WWII Japan film. And there was never any reason to suspect that it was anything but a light comedy, as it was based on a stage play.
But it turns out that rather than just a comedy, it is more like a subtly subversive satire on America's staggering conceit as a righteous force of change in the world. How they managed to convince the studio and the public that it was just a harmless little comedy would make a great story itself, considering that it was made during the blacklist days of red-baiting and mega paranoia. My guess is that its patronizing portrayal of Japanese culture, and its characterization of the Okinawans as simple childlike islanders provided sufficient misdirection to throw our guardians off the scent. Hollywood was pretty good at slipping stuff like this into the mainstream, where the actual nature of the satire was only apparent to the most discerning viewers.
As others have noted, the film's message is actually more relevant today than at the time of its release; what with America's botched meddling in Viet Nam, Lebanon, Somalia, and Iraq. As "The Teahouse of the August Moon" illustrates, there seems to be a national compulsion to change the world and a chronic failure to realistically evaluate the complexities of these little adventures.
On the flip side, many of those who attack the film as racist are also critical of "Eurotrip" for its stereotyped portrayal of Europe; failing to recognize that the target of both films is America and its simplistic view of the rest of the world.
Anyway, "Teahouse" takes place shortly after the end of WWII as Captain Fisby, a Army Civil Affairs officer (Glenn Ford), is detailed to an Okinawan village to teach the natives about "democracy". His most important task is to construct a "pentagon" shaped school for the children. But with the arrival of a Geisha named Lotus Blossom (Machiko Kyo) the villagers decide that a teahouse (basically a copy of the Geisha houses they have heard about in the cities) should be built instead. When it appears that Fisby has become too acclimated to the native culture, his commanding officer sends a psychiatrist (Eddie Albert) to the village to evaluate his fitness for duty. Albert is soon co-opted and stays on in the village indulging his fantasy of running a farm.
Marlon Brando plays a native interpreter and carries it off quite nicely, in fact the whole cast is solid with Kyo unexpectedly effective and very charming. Speaking only Japanese (and without subtitles), her performance is similar to some of the best silent film stuff. Although Brando translates her more important lines for Fisby (and for the audience) her nonverbal performance communicates so much that you are rarely even aware of the language gap. Brando does a nice commentary to begin and end the film.
While "Teahouse" is hardly Oscar material it is entertaining and of considerable historical/ cultural interest.
Then again, what do I know? I'm only a child.
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